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Posted

Mark, you are spoiling me with this photographs of people I have just seen or I am about to see!

I really liked Maurice Brown. When they started Arabia, I was a little nervous for him because of the history of Hubbard playing on the song, but he really shined.

I though Jonathan Batise was young, but didn't realize how young. He was a very nice piece to the group. Last night he had a feature with the trio playing "On Green Dolphin Street."

Yeah, I thought I would be really bummed out without Louis there but once they got going, it didn't really bother me. Very good band!

m~

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Posted

Mark, you are spoiling me with this photographs of people I have just seen or I am about to see!

I really liked Maurice Brown. When they started Arabia, I was a little nervous for him because of the history of Hubbard playing on the song, but he really shined.

I though Jonathan Batise was young, but didn't realize how young. He was a very nice piece to the group. Last night he had a feature with the trio playing "On Green Dolphin Street."

We got to see Batise play "Evidence" with the trio. It was really something. Curtis Fuller mentioned how not many young cats are showing much influence from Monk in their playing. But Batise shows alot of promise.

Posted

Curtis Fuller mentioned how not many young cats are showing much influence from Monk in their playing.

So he was as talkative during your show?

He talked about all sorts of stuff at the show last night: Coltrane, Benny Golson, Art Blakey, Freddie Hubbard, and shyness, to just name a few of them!

Posted

Drummer Mike Clark....guess his claim to fame is his playing with the Headhunters.....also played with Woody Shaw and Chet Baker.

m~

Tony Monoco tomorrow night, Brian Auger Saturday night and Fathead Newman Sunday.

Posted

Sonny Fortune and Rashied Ali are playing the Jazz Bakery (LA) next week--four day stand, and I'm there.

This weekend is the Central Avenue Jazz Festival (in South Central)--a community-based, tented, open-air sort of affair; there's a good lineup--bright moments to be had. Maybe I'll drop in Sunday.

Posted

Last night at the Edinburgh Jazz festival

Giovanni Falzone- talented Sicilian trumpet player- Sicilain folk tunes and originals played by a quartet of trumpet,vibes, bass, drums. Lovely typical Italian jazz. Swung like hell, great melodies , lots of humour. Well worth your while

Hormigas- Spanish for Ants ( I was told), world class trio of Bill McHenry, Reid Anderson, Jorge Rossy. Wonderful free rolling trio. The standard of writing and playing beggared belief. One of the finest concerts I've evr attended. Hope these guys record. They're all high personable and the atmosphere in the jam packed venue (The Lot, Edinburgh) was electric if a little sweaty.

Posted

Attended the local jazz festival once again and listened to the following bands:

Atomic

Frank Gratkowski Quartet

Max Nagl Big Four

This was the the first time when I heard Atomic live and it was a mighty fine concert.Didn't care much about Gratkowski's gig,perhaps it was a little bit too "academic" to my taste. Max Nagl was great!

Posted

Attended the local jazz festival once again and listened to the following bands:

Atomic

...

This was the the first time when I heard Atomic live and it was a mighty fine concert....

During my vacations, I saw Atomic in the Bahía Jazz Festival at El Puerto de Santa María (Cádiz). Surprisingly interesting concert. I really enjoyed it!

Funny that I hadn´t seen your previous post, Swinger.

I really liked how they gave a new "sound" to what was "pure 60s free jazz" to my ears (at least on some songs).

Posted

Probably (in Chicago):

Sunday, 6 August 2006

The Hungry Brain

10:00 PM | Matt Schneider's Straight Six

Matt Schneider - guitar

Tomeka Reed - cello

Jason Adasiewicz - vibes

Anton Hatwich - bass

Nori Tanaka - drums

11:00 PM | Herculaneum

Dave McDonnell - saxophone

Patrick Newbery - trumpet

Nick Broste - trombone

Greg Danek - bass

Dylan Ryan - drums

Posted

Report from last night:

As the instrumention suggests, the basic reference point for Matt Schneider's group is a kind of '50s thing -- Chico Hamilton crossed with Shearing, perhaps -- but the material (all Schneider originals) was quite active and tough harmonically and structurally varied too, thus something that the models I've mentioned (if they are in fact models for this music) usually did not possess. There was room for improvisation but the nature of the pieces themselves was always there. Adasiewicz played with much elan (he hears changes like crazy---the more forbidding the better), and Schneider himself sounds like an unlikely cross between Raney and Howard Roberts. Cellist Tameka Reed was an asset; in fact, this was a genuine, happy to playing this music band.

As for Herculaneum, I'm not a fan of one of the horn soloists, Dave McDonnell (whose one of those "How hot can I get how quickly" altoists, though he was a bit less that way than last time), but I do like Broste and what little I've heard of Newbery, who combines a formidable technique wwith what seems to me to be a thoughftul, relaxed, unflashy temperament. I need to hear more to be sure, but he may be special. The main interest, though, is Dylan Ryan, in his mid 20s I'd say, who is a fair bit different than any other drummer I know, with the possible exception of New York-based Dan Weiss. Ryan has two tom-toms, one of them rather small and high-pitched, and typically he spends a lot of time on it, on its rim (especially), and on cymbal crowns, creating a continuous, multi-pitched, timbale-like chatter. This sounds like it might be annoying and intrusive, but in fact Ryan is very much a listener and/or, in this more or less comping role, the virtual leader of the band -- a la Horace Silver from the keyboard. My only doubt -- and this may be lack of understanding of what he's up to, having only heard him twice -- is that Ryan can seem a bit sloppy, not in terms of time but of cleanness/crsipness of stroke (though in his style, how much cleanness/crispness would be right?) I see from the group's new CD "Orange Blossom" (482 Music), which I bought last night but haven't listened to yet, that all the band's pieces are by Ryan, so I guess he is the leader.

Posted

Winard Harper Sextet with Bobby Watson joining them for the second set, on Saturday night at the Blue Room in Kansas City--it was one of the most exciting performances I have witnessed in some time. The first set, without Watson, was fine. The second set, with Watson, was inspired. (I have seen Watson do that to Wynton Marsalis' working combo too, about two years ago). Winard has some promising younger soloists with him--trumpeter Josh Evans, pianist Sean Higgins, tenor saxophonist Lawrence Clark.

Posted (edited)

I saw the last two sets of the Jazz Bakery Sonny Fortune/Rashied Ali duo yesterday... one tune a set (well over an hour); second set was 'Love for Sale,' interestingly enough. I'm far too exhausted to do the full on analysis thing, but it was really, really fun. The two played great--an inside/outside, Coltranish sort of bag (redolent of the Coltrane/Jones duets--more so, strangely, than Interstellar Space), with Rashied at his most masterfully explosive and Sonny as articulate and energetic as I've ever heard him. The crowd was emphatic... and the musicians were very kind/grateful.

Edited by ep1str0phy
Posted

Also--saw Bobby Bradford's Mo'tet at LACMA on Friday (three sets--all free). A wonderfully nuanced performance--and for this sort of context, very ballsy (a lot of very free material--and not just in the Ornette vein). It's the Mo'tet of the last few years--Robert Miranda (bass), William Jeffrey (drums), Chuck Manning (sax), Don Preston (piano), Michael Vlatkovich (trombone), and Ken Rosser (guitar)--all the members play in other groups, but there are no wrinkles (i.e.--this is a unity). Extremely enjoyable and nice to see the LA crowd involved in the performance (the southland scene--where it exists--is rather conservative and very limited in scope--and opportunities).

Posted

Last night I saw Charlie Haden and Quartet West at the Blue Note in Manhattan - it was in honor of the band's 20th anniversary.

I am not a huge fan of the Blue Note, but the sound in the club is great. I just got a bar seat and even that was $20.

The band however, was in fine form and I thought they put on a great show, unfortunately no Larance Marable though, but Rodney Green filled in nicely.

They played lots of Quartet West tunes and played a Parker tune, and Ornette's "Lonely Woman"

Posted

Oscar Peterson at Birdland.

Tickets were a small fortune, but I've never seen him before and he's getting up there, so I figured I would regret it later if I didn't take the opportunity. Really looking forward to it.

Posted

Nothing tonight but starting Tuesday it's Nicholas Payton's tribute to Miles Davis, Wednesday night it's Bobby Broom, Thursday night it's Larry Kart/Lee Konitz at the Chicago Cultural Center and then down the street to Joshua Redman's 80th Birthday Tribute to John Coltrane at Symphony Center....and if that's not enough, the Chicago Jazz Fest kicks off Friday with our friends Organissimo, John Moulder, Lee Konitz, Jason Moran & Bandwagon w/Bunky Green, Joe Lovano, Maurice Brown, Donald Harrison, Joey D with Ron Blake and Dr. Lonnie Smith and more.....!!! Add the afterfest shows at the Jazz Showcase, Hot House and the Velvet and I won't get much sleep!!!

m~

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