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Posted (edited)

Got a copy of the CD issue of this one:

R-4164574-1357410636-8930.jpeg.jpg

I'm not really a fan of Burton, I prefer more rhythmically centered vibes players, but I enjoyed him here. Part of the arrangements are by Gary McFarland, for a very unique ensemble of woodwinds (french horn, bassoon, flute or clarinet) and string trio plus vibes/guitar/bass/drums,

Burton's RCA sessions would have made a nice box set ..... the CD reissue I got via jpc comes without booklet notes, not even a facsimile of the back cover, no credits - only a list of tunes without timings or composers! It bears an official SONY imprint, and is sold at normal price. Any Spanish label would have taken more care.

Edited by mikeweil
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Posted
31 minutes ago, mikeweil said:

Got a copy of the CD issue of this one:

R-4164574-1357410636-8930.jpeg.jpg

I'm not really a fan of Burton, I prefer more rhythmically centered vibes players, but I enjoyed him here. Part of the arrangements are by Gary McFarland, for a very unique ensemble of woodwinds (french horn, bassoon, flute or clarinet) and string trio plus vibes/guitar/bass/drums,

Burton's RCA sessions would have made a nice box set ..... the CD reissue I got via jpc comes without booklet notes, not even a facsimile of the back cover, no credits - only a list of tunes without timings or composers! It bears an official SONY imprint, and is sold at normal price. Any Spanish label would have taken more care.

I was just listening to that album, and i agree with everything you said about it. GB didn't keep his foot on the sustain pedal most of the time, like he did on most of his later recordings (my only complaint with GB). Maybe it was due to the fact that a fellow vibes player, GM, did the arr. on half the tunes, and may have had some input on GB's playing.

Even though GB was a genius vibes player, I prefer listening to players who didn't lean on the sustain pedal, Bags, GM, Cal Tjader, Eddie Costa, etc... as much as GB did.

GB talked about that session in his autobiography, coming down hard on Jim Hall for not letting him know beforehand that he couldn't make the session, and sending Joe Puma (who does a wonderful job) without letting him know. Burton also lets everyone else he played with have it; Getz (I don't know where to start!) Metheny (made little fixes in the studio on all his solos), MJQ( couldn't sightread), Coryell (stoned), Sam Brown (same as Coryell), and so on.

Brookmeyer has a great solo on 'My Favorite Things', but he limits Woods to the clarinet(!) throughout. GB's solo interpretations are fantastic. He manages to sound like Bill Evans (his stated biggest influence) with four mallets! 

The best thing about the LP is that they took tunes from TSOM like 'Do Re MI, Climb Every Mountain, The title song, and made them into blowing vehicles in a very organic fashion; something only harmonic geniuses like GB and GM were capable of doing.

Posted
On 2/15/2018 at 1:59 PM, mikeweil said:

Got a copy of the CD issue of this one:

R-4164574-1357410636-8930.jpeg.jpg

I'm not really a fan of Burton, I prefer more rhythmically centered vibes players, but I enjoyed him here. Part of the arrangements are by Gary McFarland, for a very unique ensemble of woodwinds (french horn, bassoon, flute or clarinet) and string trio plus vibes/guitar/bass/drums,

Burton's RCA sessions would have made a nice box set ..... the CD reissue I got via jpc comes without booklet notes, not even a facsimile of the back cover, no credits - only a list of tunes without timings or composers! It bears an official SONY imprint, and is sold at normal price. Any Spanish label would have taken more care.

It's also available as part of this three-album/2-CD set that BGO put out last year--an edition that does come with fairly extensive liner notes:

Something's Coming/The Groovy Sound Of Music/The Time Machine

Michael Cuscuna told me that they did indeed begin the planning for a Burton RCA set at one point, but that they were unable to secure the rights for it because Sony wanted a guaranteed number of sets that was higher than what Mosaic felt was financially viable.

Posted
On ‎13‎/‎02‎/‎2018 at 10:57 PM, mjzee said:

Listening now to Live In Tokyo for the first time.  Wonderful, wonderful stuff.  June 1971...this has the sophistication and detail of his ECM recordings with the fire of his Atlantic days.  Great band: Sam Brown, guitar, Tony Levin, bass, Bill Goodwin, drums.  If you love Burton, you have to have it.  Great sound, too.

The original release of this was in Japan and Canada only...  The Atlantic rep in Toronto was a friend who sent me a pre-release Japanese pressing, and I convinced him to put it out in Canada.  I did the liner notes for it, but of course the current CD release is strictly Japanese.  mjzee has it exactly right:  sophistication/fire!

  • 4 weeks later...
Posted

Is anyone familiar with this?  From the Amazon description: The versatile West Coast jazz drummer, vibraphonist and percussionist Larry Bunker is featured here leading an amazing quartet featuring world renowned vibraphonist Gary Burton; Mike Wofford (piano) and Bob West (bass); recorded live in 1967 at the famous West Coast jazz club, Shelly's Manne-Hole, founded by the legendary jazz drummer Shelly Manne, featuring compositions by Mike Gibbs, Cole Porter, Phil Woods, Jerome Kern and others. All selections newly remastered.

51roKM1GI9L._SX425_.jpg

Posted
6 hours ago, mjzee said:

Is anyone familiar with this?  From the Amazon description: The versatile West Coast jazz drummer, vibraphonist and percussionist Larry Bunker is featured here leading an amazing quartet featuring world renowned vibraphonist Gary Burton; Mike Wofford (piano) and Bob West (bass); recorded live in 1967 at the famous West Coast jazz club, Shelly's Manne-Hole, founded by the legendary jazz drummer Shelly Manne, featuring compositions by Mike Gibbs, Cole Porter, Phil Woods, Jerome Kern and others. All selections newly remastered.

51roKM1GI9L._SX425_.jpg

I have this one. Vey nice set with good playing by all 4 musicians.

Posted
3 hours ago, JSngry said:

Originally on Vault, I see...https://www.discogs.com/Larry-Bunker-Quartette-Featuring-Gary-Burton-Live-At-Shellys-Manne-Hole/master/809584

Recorded earlier than 1967, read the liner notes.

Right; they say the last couple of bookings for this quartet were postponed because of President Kennedy's assassination, but happened sometime afterwards...let's say end of 1963/early 1964.  

  • 2 years later...
Posted
On 3/22/2018 at 7:56 PM, Peter Friedman said:

I have this one. Vey nice set with good playing by all 4 musicians.

Those Essential Media Group CDs are routinely dinged for sound quality - how about this one?

Posted

I just checked LORD and discovered that the Larry Bunker Quartet CD on Vault is not what I have.

It turns out I have 2 CDs on the Japanese Interplay label by the same group at Shelly Manne's -Hole that were recorded on a different date. The 2 Interplays CDs I have are sub-titled "Unissued Session" and have a total of 16 tunes.

Haven't listened to them in quite some time, so plan to place them on the CD player in the next few days to refresh my memory of this music.

  • 9 months later...
Posted

R-3264589-1322989144.jpeg.jpg

Got me a copy of this 2001 release last week, as I was (of course) interested in Burton's take on a Tjader tribute, and I am pleasantly surprised. He has a thorough grab of the jazz vibes tradition, and has original ideas when treating the tunes he selected, e.g. he writes a John Lewis style counterpart to Bags' Groove, which always is taken as prime example of Milt Jackson's alternative to the "academic" MJQ sound, gives Afro Blue a very modern Cuban Jazz treatment, etc. He plays the last two tracks on xylophone and marimba - very nice to hear him on these!

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