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Posted

Do I want/need the box the stereo masters come in, or should I save a few bucks and buy them individually at Target? Or should I wait and hope for remixes? At what point do the stereo mixes begin to serve the music well rather than detracting from it? Not feeling quite ready to plunk down my $180 (or $410 if I also were to spring for the mono masters), though part of me wants to.

Posted

Do I want/need the box the stereo masters come in, or should I save a few bucks and buy them individually at Target?

I think the box set includes an additional DVD that houses all of the "documentaries" that are on the individual discs. If that's the case, it's a unique item to the stereo box set, which you won't get if you buy the titles individually.

The documentaries are only about 3 minutes each though, so they don't appear to be of much significance.

Posted

At what point do the stereo mixes begin to serve the music well rather than detracting from it? Not feeling quite ready to plunk down my $180 (or $410 if I also were to spring for the mono masters), though part of me wants to.

IMHO, The White Album is the first album that is better in stereo. According to session logs, it is the first album where the stereo mixes were the priority. Everything until then is better in mono. IMHO.

Posted

Do I want/need the box the stereo masters come in, or should I save a few bucks and buy them individually at Target? Or should I wait and hope for remixes? At what point do the stereo mixes begin to serve the music well rather than detracting from it? Not feeling quite ready to plunk down my $180 (or $410 if I also were to spring for the mono masters), though part of me wants to.

It might be a long wait for Remixes......

Posted

This is pretty funny....

Like most people, I was initially confused by EMI’s decision to release remastered versions of all 13 albums by the Liverpool pop group Beatles, a 1960s band so obscure that their music is not even available on iTunes. The entire proposition seems like a boondoggle. I mean, who is interested in old music? And who would want to listen to anything so inconveniently delivered on massive four-inch metal discs with sharp, dangerous edges? The answer: no one. When the box arrived in the mail, I briefly considered smashing the entire unopened collection with a ball-peen hammer and throwing it into the mouth of a lion. But then, against my better judgment, I arbitrarily decided to give this hippie shit an informal listen. And I gotta admit—I’m impressed. This band was mad prolific.

Chuck Klosterman Repeats The Beatles

That is a pretty funny article for sure, totally dead pan.

Posted (edited)

I'd like to hear more about the Mono box, are the mixes really that different/worth it. I've never heard any of them.

The major difference in all of the mono mixes is that they are BALLSY, not wimpy like the stereo versions. "Revolution" and "Paperback Writer" in mono will knock you out. Once you hear the mono you won't be able to go back.

Edited by Teasing the Korean
Posted

The mono Please Please Me is juke-box potent.

I Saw Her Standing There is just amazingly full of drive and presence, really something.

Even on my modest Onkyo set up it sounds phenomenal, I can only imagine how it must sound on top end equipment.

Posted

I'd like to hear more about the Mono box, are the mixes really that different/worth it. I've never heard any of them.

The major difference in all of the mono mixes is that they are BALLSY, not wimpy like the stereo versions. "Revolution" and "Paperback Writer" in mono will knock you out. Once you hear the mono you won't be able to go back.

As I've said before, I have the Purple Chick mono versions of all of albums available in mono (Please, Please Me through the White Album) and I agree: Once you've heard the mono versions, the ear prefers it. The stereo mixes, for the most part, were hamfisted. I STILL don't understand the concept of putting the drums on one side of the stereo spectrum. When you are in a room with a drummer, even if he's all the way over to the left of you, you don't only hear it out of one ear! What were the engineers thinking?

I have now listened to "Sgt. Pepper" and "Rubber Soul." It's the details that jump out at you with the remasterings. I'm amazed at Ringo's drumming. His additions are subtle and tasteful. You really appreciate what a master of understatement he was (is).

I have also heard most of the "Past Masters" set at work (it was on the in-store play all evening) and it sounds DAMN good.

I notice, btw, that the "Past Masters" discs are a mix of mono and stereo mixes, just like the 1987 version, which is odd because I assumed that ALL of the mono mixes were being saved for the box set.

Posted

Do I want/need the box the stereo masters come in, or should I save a few bucks and buy them individually at Target? Or should I wait and hope for remixes? At what point do the stereo mixes begin to serve the music well rather than detracting from it? Not feeling quite ready to plunk down my $180 (or $410 if I also were to spring for the mono masters), though part of me wants to.

I'd just get the individual stereo masters. The DVD in the box contains the mini-docs that are on the individual CDs. Furthermore, the box is more expensive per-disc than the individual discs. Last but not least, Best Buy has the White Album on sale for $16.99 and the Past Masters 2-CD set for $12.99. If you were to buy all the stereo CDs at Best Buy, you'd actually be saving $15 off the box and getting pretty much the same thing (note that those prices are only good thru Saturday).

I notice, btw, that the "Past Masters" discs are a mix of mono and stereo mixes, just like the 1987 version, which is odd because I assumed that ALL of the mono mixes were being saved for the box set.

What else is in mono-only besides "You Know My Name"? I looked at the set today but didn't buy it (yet).

Posted (edited)

In the stand alone Past masters, sitting here by my left hand, the following 4 tracks are mono:

Love Me Do (original single version)

She Loves You

I'll Get You

You Know My Name

and all others are stereo, unfortunately.

I'm gonna wait for mono versions of the first few albums. I did pick up Past Masters today (obviously) Revolver, and Magical Mystery Tour.

Also a note at the back - everything taken "from the original stereo or mono analogue master tapes with the exception of 'Love Me Do' which was remastered from a mono disc."

Edited by Adam
Posted

Adam: I've read somewhere the Mono versions are not going to be released as individual cd's. That's one reason the box is more expensive (no after sales on the individual items) and the fact it's pressed and manufactured in Japan might also give it a higher price (besides the very limited edition "quality" of this set).

Posted

Adam: I've read somewhere the Mono versions are not going to be released as individual cd's. That's one reason the box is more expensive (no after sales on the individual items) and the fact it's pressed and manufactured in Japan might also give it a higher price (besides the very limited edition "quality" of this set).

Darn it, wish I'd known that before I ordered the Mono box. None the less it is a very attractive set, some of the mono mixes sound very different from their stereo counterparts especially the 4 previously unreleased tracks on Mono masters.

Posted (edited)

Clunky: did you mean the Stereo box otherwise it doesn't make sense........

Just received both boxes and I'm enjoying Please Me in mono right now!!!

Woops..... I misread your post, regarding the mono sessions getting individual releases

Edited by Clunky
Posted (edited)

I'm gonna wait for the stereo mixes of the original mono re-mixes in which half the band is panned at 3 o'clock the other at 9 o'clock with the decompression applied to the left side of the compressed audio chain but double tracked for the limited edition re-release of the original mono-stereo tracks as ping-ponged by Geoffrey Emerick in the original secondary re-mix to tracks 3 and 4 and then before the echo was added by Dave Dexter before he talked to George Martin who then talked to EMI and the Queen and re-mastered the second mono mix to 12 track uncompressed stereo-mono originals with of course the second secret track added in which Paul admits he is not dead but getting old and tired.

assuming Yoko gives her permission.

Edited by AllenLowe
Posted (edited)

wrong, I blame jazz for the downfall of the Beatles.

actually, I blame jazz for everything - my bad skin, my impotence, my poverty, and the Republican party - and I particularly blame Chuck Nessa and Jim Alfredson.

(what are you talking about? I love the Beatles)

Edited by AllenLowe
Posted

I listened last night to the newly remastered Sgt. Pepper's in both mono and stereo. Boy am I glad I bought both boxes! In regards to the sound quality, they were both SO good and lots of fun, but in quite different ways.

The mono mix of Peppers is really incredible. A common misconception that I've been reading online is that folks think mono automatically equals a wash of noise and lack of quality. This couldn't be further from the truth. You can tell right way that The Beatles and George Martin put a lot of time and effort into the mono mix. It is very detailed and nuanced, but it just doesn't have all the separation like a stereo mix, it is coming at you head on. I agree with a previous post, which says that the mono mixes are more "ballsy", cause they definitely are! This is the biggest thing with mono. It is true - the band just rocks way harder! One listen to "Sgt. Pepper's Reprise" in mono and you will understand. It has a driving force like I've NEVER heard before and was a revelation after listening to this album a million times. At the end, you can also hear Paul's "scatting" or whatnot a lot more clear, which again would surprise folks that think mono=worse sound quality.

Other mono notes: "She's Leaving Home" is actually in a higher key, which changes the song quite a bit. "Lucy" has some phasing or flange on Lennon's voice that is really interesting (and sounds beautiful), and there's lots more "new" sounds and things in other songs that will make any Beatle fan have to listen to each song a few times to pick out all the cool stuff in there.

Regarding the Stereo mix: All I really need to say about the stereo mix is that it is like listening to the Beatles in Hi-Def. The veil has been lifted and everything is super bright, clear, dynamic, etc. You can really hear guitar strings being plucked as if you are in the room with them. The little details come to life. It's loud without being abrasive and just sounds incredible. This will be how most fans will want their Beatles.

I enjoyed both listening experiences very much. When I want to hear raw, rockin' Beatles (especially on the early albums, which I also sampled), I'm going with mono. Listen to "She Loves You" in mono...you won't believe how hard this band kicks ass. But, if I want to be swept away by glorious sound and swirling psychedelia in my headphones...that's what the stereo mix is for.

Get both sets if you can, you really won't be disappointed by either. And it's fun to compare the two and see what sticks out. They are both so enjoyable and sound so great that there really is no way to lose!

But mostly - just enjoy the music. That is what it is really all about.

-WhiskeyCat

Posted

Ok, my bad.

Your post is then a reaction to the paranoia and craziness taking place on the Hoffman Board regarding these remasters? Pretty entertaining stuff.

Don't forget hysteria :)

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