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So, What Are You Listening To NOW?


JSngry

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Another Mark Masters Ensemble disc that I pulled from the shelves, “Blue Skylight” which interprets the work of both Charles Mingus and Gerry Mulligan, alternating a composition by each on the disc. A great listen!

Gary Foster: alto saxophone; Jerry Pinter: tenor and soprano saxophones; Gene Cipriano: tenor saxophone (2, 4, 6, 8, 10, 11); Adam Schroeder: baritone saxophone (2; 4; 6; 8; 10, 11); Ron Stout: trumpet (1, 3, 5, 7, 9); Les Benedict: trombone (1,3,5,7,9); Ed Czach: piano; Putter Smith: bass; Kendall Kay: drums.

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14 hours ago, Rabshakeh said:

Duke Ellington And Count Basie – First Time! The Count Meets The DukeR-23573117-1655221559-6192.jpg.ccd3684da7179594ad93622aa72b2415.jpg

Shouldn't have ever been so good.

👍 :D

 

 

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20 hours ago, jazzbo said:

Another Mark Masters Ensemble disc that I pulled from the shelves, “Blue Skylight” which interprets the work of both Charles Mingus and Gerry Mulligan, alternating a composition by each on the disc. A great listen!

Gary Foster: alto saxophone; Jerry Pinter: tenor and soprano saxophones; Gene Cipriano: tenor saxophone (2, 4, 6, 8, 10, 11); Adam Schroeder: baritone saxophone (2; 4; 6; 8; 10, 11); Ron Stout: trumpet (1, 3, 5, 7, 9); Les Benedict: trombone (1,3,5,7,9); Ed Czach: piano; Putter Smith: bass; Kendall Kay: drums.

9ba3616a531626dab852e3af2841f41dc41be888

 

The picture on the cover is great. Presume the music is too.

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21 hours ago, Rabshakeh said:

I never think of Previn as a player at this point in time. How is this?

Very nice enjoyable jazz piano, but not with the depth that I prefer with my favorite jazz pianists. Worked perfectly while my wife and I had lunch.

 

Now listening

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9 hours ago, Chuck Nessa said:

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Great document of the 1943 band. I wish the the rest of the material from that run at the Hurricane would get an official release (though I think some of it showed up as bonus tracks on Storyville’s CD-reissue of the Treasury broadcasts series).

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It's turned into a ritual that's lasted for 44 years,
but it's an enjoyable thing to play this work (with interview)
every St. Patrick's Day (and sometimes even broadcasting it on this day).

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