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I've reached 50 subscribers to my Percy France-centric Youtube channel! So why stop now?
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Now spinning disc 2 of this release. I sent a copy of this to my best friend as part of a package for his birthday (yesterday was his 66th) as I really like it and I am revisiting it again. . . I find this very involving. . . I get sucked right into the performances. Bill Evans “Evans in England” Resonance Records
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with Bette Davis as "Alabama" and the drawl that comes with it.
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What are these Sonny Rollins recordings?
Big Beat Steve replied to Hardbopjazz's topic in Discography
"Remastered" should not be impossible at least in those cases where there are no source tapes in the first place (which often is the case if the recordings are old enough). In the same manner, my guess is that many do start their remasterings from actual records, turn them into "enhanced needle drops" and call them "remasterings". As for what actual improvement this yields, it all depends ... (Isn't it so that there are enough buyers out there who do not approve of certain "recent" remasterings - on perfectly "legit" labels and reissues - either because these above all have been remastered to make the music louder - in accordance with what the reissuers perceive is today's listeners' preferences? ). And no doubt there also are PD reissuers whose remastering claims are either wildly exaggerated or a case of usurpation because they re-use previous reissues' remasterings. -
Steve Slagle...was he mentioned? I can't say that I read this entire long thread started decades ago.
- Today
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I've always been puzzled by PD vendors' assertions of "Remastered", when they certainly don't have access to the source tapes, etc. On the other hand, I've seen claims here on the forum that some of Werner's (ezz-thetics) PD reissues really do have improved sonics. So perhaps wizardry can be performed from needle-drops or CD-drops.
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Ernest Ranglin - Bless Up (Avila Street Records)
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spiderfriend (on discogs) "special transfers, you know, the copy protected ones, because that is what noise reduction is, just like the R.I.A.A. curve, or HDCD, or K2 Supercoding, they have nothing to do with improving sound quality!" WTF?? What a moron. To equate noise reduction with copy protection, the RIAA curve, HDCD & K2 supercoding shows that this idiot knows nothing about audio at all. I can understand complaining about excessive use of noise reduction, though I have no idea if it's badly done or used at all on this CD from Mosaic, but that is where this complaint should have ended. Can you imagine what records would have sounded like if they never implemented the RIAA equalization in the LP standard? No bass. Too much treble. Records that many turntables would not be able to play. It's just nuts to think that this was a bad idea.
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What live music are you going to see tonight?
jazztrain replied to mikeweil's topic in Live Shows & Festivals
The festival was presented by Vivo, which appears to be the rebranded Celebrity Series. -
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What Classical Music Are You Listening To?
Peter Friedman replied to StarThrower's topic in Classical Discussion
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When I added this CD to my Discogs collection I noticed another user left this strange review: "As much fun as the music is, this is a disappointing release because of the significant amount of noise reduction that has obviously been applied. Mosaic are the stewards of a corporate jazz narrative, and here we have an excellent example of how agenda dictates all the terms. Recorded in '55, there should be a substantial amount of hiss if these transfers were unaltered. There is absolutely no hiss, and the overall sound is muted in that special way only NR can deliver. Mark Wilder is an employee of Sony and he is responsible for many of these special transfers, you know, the copy protected ones, because that is what noise reduction is, just like the R.I.A.A. curve, or HDCD, or K2 Supercoding, they have nothing to do with improving sound quality!"
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For some musicians it seems to be very hard to sense when you better stop performing.
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In other words, cheaply taking advantage of European copyright regulations.
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What are these Sonny Rollins recordings?
Big Beat Steve replied to Hardbopjazz's topic in Discography
In short, those packagings are a big scam. BTW, I do assume "copy write" in the opening post is supposed to mean "copyright" (unless it's a clever play on homophony ). Since liner notes are probably inexistent with downloads there is not likely to be much "copy write/writing" there. -
It’s been a while since I have played “Agharta” and my system is somewhat improved since then, I’m really enjoying this spinning. Miles Davis “Agharta” Sony SRCS 9720-21 DSD mastered 2 cd set
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Listening for the third time in a row, ... it's very good for the first half of the album but it loses it view/tension for the second half a little bit. I think i will keep this one.
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I have a handful of versions of this classic release and this one is the one I find most pleasant to listen to, a DSD mastered reissue from Japan in 2000, Sony SRCS 9703. Miles Davis +19 “Miles Ahead” SRCS 9703 cd I like all the collaborations with Gil Evans, but this one holds a special place in my listening world.
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Listening again to this new release. I like it a lot! Walter Smith III “Twio, Vol. 2” Blue Note cd
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