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I think Satie is such an enigma that can not be grasped (don't know of this is a correc translation). As a person elusive but a little superficial at times. but i think i prefer other recordings to ... listening now to your preference 'Jean-Joel Barbier'.

I mentioned this earlier in the thread, but it was a pretty incredible night when I got to see Hutcherson, McLean, Hill, Higgins & Scott Colley at Aaron Davis Hall in 2000.

I grew up with Ciccolini's Satie and got them all, but since I heard Jean-Joel Barbier I find them too artificial.

Yes, my local shop also didn't have an original... Listening again now with the volume up another notch, sorry neighbours, and bass is definitely more present.

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July 26 JoAnne Brackeen - 1938

I hope you noted they are closed for the next two weeks. BTW - simply take your wife to the exhibition like I did.

Thanks. ...since the original was not in-stock at the record store nearby 🙂, I will check with the CD after I receive my package...

Yes, possibly, I did turn my copy of 'Trio' up a bit. I also found the bass(es) recessed but that could be the original recording. I've not listened to 'Pendulum' yet

Ts-find

I never heard what others do in that band. Lots of bluster to my ears (same with most of James Brandon Lewis) but it's good we all have different responses

She seemed ever present as a guest on the light entertainment TV shows of my childhood so she was probably my stealth introduction to Jazz. I think she defined Jazz for the non-Jazz audience for a few decades. I got to appreciate her a lot more in later years but was never a big fan, my loss not hers I'm sure.

It is mentioned at the sh forum that these Mike Taylor reissues are cut quite low.

And here I was wondering why, after reading your post, a seach on the www did not yield any bio by Chris Albertson on Billie Holiday ...

R.I.P. Dame Cleo Laine, Lady Dankworth ...

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Huge! Love Hutch, never got to see him live nor Jackie. Some of you did. Destination...Out!!

I loved her albums "Live at Carnegie Hall" and Cleo Sings Sondheim" the most out of her many recordings. She went from jazz to acting to singing in musicals to singing opera. With her four octave range, she was capable of singing anything. She was the daughter of a Jamaican man and British woman. For a period of time, she was considered the greatest female singer in the world. RIP, Old Gal...

Nice to see this thread. It will be a good reference next time I jump into the CF sale bin.

Funny you mention this - just started to dig into the 3 CD set as well as Firehouse. Intense tenor sax trio music! Anybody who likes James Brandon Lewis, late Coltrane or Albert Ayler will enjoy this.

Back in the 80's I used to occasionally listen to a Tommy Vance program on the BBC. I forget what it was called but it was music "on the heavy side" as he would say. In my view it was kind of lightweight musically but these bands often put on an impressive display of electric guitar virtuosity which could be enjoyable in and of itself, the tunes and lyrics largely simplistic and barely audible. OK a lot of it was repetitive tricks and pentatonic cliches but it had a certain cocky majesty in its braggadoccio. I don't know if my tastes have changed over the last 40 years. I still find the occasional shredder exciting but when I went through several notable Black Sabbath tunes mentioned in the newspaper, and when I listened to the excerpts that Rick Beato played in the clip linked above, I was struck by how rudimentary, obvious, and unswinging it all is. The combination of third-hand blues mixed with English music hall and camp satanism, hyper-masculinity blended vaguely with an ethos hinting at drag-queens - not that there is anything wrong with that - does little for me.