It is outstanding. Great performances though the live recorded sound is 'of its time', so to speak. Evan Parker is cited as calling it the best Tubbs he ever heard. He rests my case.
Thanks. How 'bout the Harriott - Live at Harry's 1963, also on Tony Levin's label?
Early Fantasy OJC mastering is actually quite good when compared to early Blue Note, Columbia and Impulse cd's. This was just a cheap way for Concord to get the OJC's back into the marketplace through their new association with Universal Distribution. There's also a similar 8 cd Sonny Rollins Prestige set and an 8 cd Duke Carnegie Hall set. I'm sure others will follow.
Label M did not put out a Kelly at the Left Bank. Verve put out 2 separate cd's with Joe Henderson. Fresh Sound put out 2 double discs sets - one with Mobley in 1967 and 1 with Coleman in 1968.
Original OJC mastering from the late 80s/early 90s. Yes, I'm afraid the OJC logo does appear on all the sleeves. These only have the front covers with white back covers listing tunes, dates, credits and mastering credits.
I use Worlds alot also. But for some reason, these British releases are dirt cheap directly from Britain as opposed to buying from Worlds.
I know he's a lawyer, but I'm just trying to give the man some options
If you think all of their "fare" is "safe", then you haven't been listening closely enough. Maybe Venus is more to your taste? where the Japanese producers (and Todd "I need my payday" Barkan) think that assimilation into American culture equates to pigeon-holing all American jazzers to play standards? Have at it if that's the case.
I ordered the Pieranunzi and Rava from Amazon France and the Threadgill direct from CAM Jazz (after I realized that I was missing a few of those discs too). All have shipped.