romualdo

I wonder if the Station 70 release (very short - only 23mins) is the same as the DIW CD release (that I have) called "Kaitaiteki Kohkan (Deconstructed Exchange)" - its a duo (Takayanagi/Abe) recorded in Japan (June 28, 1970) - was originally released on the Japanese Sound Creators label (LP) - I'd say they are different recordings

I'm always on the lookout for Kaoru Abe's work I think the last official release of his was on the Lithuanian "No Business" label in 2018 http://nobusinessrecords.com/arirang-fantasy.html

Which CD release (2004, 2009 or 2020) are you referring to? The 2020 Octave Lab release sounds fine to me (plus it has two extra tracks) Title (Format)LabelCat#CountryYear Reflections In The Sea Of Nurnen (LP, Album, Reissue)Tribe (3)TRCD4009US2002 Reflections In The Sea Of Nurnen (CD, Album, Reissue)P-Vine RecordsPCD-23572Japan2004 Reflections In The Sea Of Nurnen (CD, Album, Limited Edition, Reissue, Paper Sleeve )P-Vine RecordsPCD-22335Japan2009 Reflections In The Sea Of Nurnen (LP, Album, Reissue)Tribe (3), Pure Pleasure RecordsTRCD4009, RSN 001UK2018 Reflections In The Sea Of Nurnen +2 (CD, Album, Limited Edition, Reissue, Remastered)Octave Lab, Tribe (3)OTLCD2477Japan2020

https://www.cdjapan.co.jp/product/OTLCD-2556?s_ssid=e369d9622698be3dce https://www.cdjapan.co.jp/product/OTLCD-2476?s_ssid=e369d9622698be3dce https://www.cdjapan.co.jp/product/OTLCD-2475?s_ssid=e369d9622698be3dce https://www.cdjapan.co.jp/product/OTLCD-2558?s_ssid=e4348d6226994cff03 https://www.cdjapan.co.jp/product/OTLCD-2557?s_ssid=e4348d6226994cff03 https://www.cdjapan.co.jp/product/OTLCD-2477?s_ssid=e36a3b622699d452c1 https://www.cdjapan.co.jp/product/OTLCD-2478?s_ssid=e36a3b622699f064e2 these are the essential tribe releases IMHO (Harrison, Ranelin, Hammond, Mckinney) All recent comprehensive CD re-releases (Japanese Octave Lab) with extra material. Also includes the previously unreleased (1975) Harrison LP "Farewell to the Welfare" which was only available in the Tribe LP Box set, released last year (?) https://www.vinylmeplease.com/products/anthology-the-story-of-tribe-records?variant=32913585111130

unfortunately I can't watch it on any platform here in Australia

I made my own CD set years ago, after I bought the LPs

I do have the recent Muzak double CD release "Complete Storyville Recordings" - I'm quite sure it's a "double up" with those three tracks (not referring to the other version of Foolin' Myself) - the dates are even more confusing with every new release that becomes available plus a significant amount of the music is studio - all of the second disc & a third of the first one

picking up on this thread from 2003/4, the Konitz "Storyville" discography is a total dog's breakfast - dates are uncertain/all over the place ie The Lord discography, CD backs/slicks (Black Lion, 1201, DA music) & this online Konitz disco https://www.press.umich.edu/pdf/0472115871-discography.pdf There are three tracks (If I had you, Foolin' Myself & Ablution) that are on both Black Lion CDs 1. Jazz at Storyville (Black Lion BLCD 760901) as Jan 5, 1954 2. In Harvard Square (Black Lion BLCD 760928) as Feb 55 I suspect they're the same tracks but I only have one of the CDs (#1) - timings are similar Can anyone (who has both) check for me

I suppose this "upcoming" (back in late 2020) Hat Hut release is now redundant

there are also three tracks on the Holy Ghost box, so that leaves 10 unreleased titles AFAIK Still, hearing the music directly from the original ORTF tapes will be a revelation - cannot wait

https://recordstoreday.com/SpecialRelease/14779?fbclid=IwAR2VBHYXbfHouMfqer2nSQfDW0mzqjL85hw8lY6fnY-Aj7xCy-JmUczRHiI Elemental will be releasing a 5LP set called "Revelations: The Complete ORTF 1970 Fondation Maeght Recordings" Only 600 copies - ridiculously low for someone like Albert - annoys the crap out of me, just causes intense competition & flipping Hopefully Elemental will release it digitally (3 or 4 CDs) - I have two CDs worth already, the ESP-Disk CD "Live On The Riviera" & the Water CD "Nuits De La Fondation Maeght 1970" (compilation of the two original Shandar LPs)

the most recent Japanese (Octave Lab) CD release has managed to get the whole of Akisakila onto one disc ie 82mins, but it's still separated into parts I & II All previous CD releases were double disc

many thanks for the link, especially one that isn't just MP3 files - AIFF for me so I can burn to CDr & play on a decent HiFi, not a computer Unfortunately I can't play FLAC files

yep, everything digital - booklet & music (available from Feb 15) has anyone downloaded yet?

I also love Michael Giles drumming, especially on McDonald & Giles. "Light & Crisp" expresses it perfectly. Been a KC aficionado since the early 70s. My fav LPs are "Lark's Tongues" with Jamie Muir & The sparse metalish "Red" trio (Ian McDonald actually guests on alto). Even though I listen to/have a huge amount of avant/free jazz I still have trouble listening to the free section of Moonchild

Absolutely amazing recordings - I've managed to download from YouTube & separate the 1hr & 10mins of sublime Byas (also 5 minutes of John Mehegan solo piano) into separate tracks plus use a bit of declicking (via Audacity). What a find. Thanks so much Michael

according to Wild (JC Reference) the concert was in 1966 (Feb 19) - the John Coltrane Group was part of the "Titans of The Tenor" Show According to Wild there is a tape of the concert (he hadn't heard it)

thanks

isn't that Alex Von Schlippenbach playing piano? also is that a very young Paul Lovens on second drums Stanko, Schoof & Wheeler on tp Mangelsdorff? & Rutherford tb a very obvious Evan Parker who is playing bass - doesn't look like Kowald - maybe Barry Guy?

though I think the Hat release is missing the spoken intros by Peter Bergman

all material in the Revenant box

this is a comprehensive list of the Bird's Eyes CDs/CDrs - note that the later releases were CDrs http://birdparkerslegacy.com/CPCD/CD_miura/AlbumPhilology.html

September 9, 2009 We've all become accustomed to bad news for the past five years, both in the United States and globally and in the arts as well as the world economy. But what we just discovered is a first in bad news for Mosaic Records. Each of our sets is manufactured by the label that owns and licenses to us the masters contained in the set. One of our major licensors changed pressing plants for the tens of thousands of titles it manufactures. Unfortunately a number of Mosaic titles (mostly Selects) were deleted and all of the components and masters were destroyed in process. Mosaic Records cannot afford to remaster and remanufacture components for the remaining run of these titles and due to contractual issues there is no relief from the responsible parties. We have no choice but to prematurely retire these titles. For some, we still have some inventory. But for others, we are forced to tell you without warning that we are out of stock and these titles will never be available again. As champions of the completist concept, we know how important collecting a complete set of releases is and heartfully apologize for this set of circumstances. Limited Inventory Available The Complete Blue Note Lou Donaldson Sessions (#215) "Hear Donaldson in such an orgiastic feast as this, and he becomes something of a monster player - gorgeous sound, capable of playing in all manners of contexts and always dripping with such blues-based earthiness..." - Jeff Simon, Buffalo News 6 CDs - $96 The Complete Roulette Dinah Washington Recordings (#227) "No matter what she sang, Dinah operated by a simple philosophy: 'When you get inside of a tune, the soul in you should just come out. You should just be able to step back and let that soul come right out.'" - Nadine Cohodas, liner notes 5 CDs - $85 Mosaic Select: Bennie Green (MS-003) "His execution is clearly defined, non-exhibitionistic and liberally impregnated with the devices and characteristic phrasing of the be-bop style, yet he always manages to retain something of the real jam session atmosphere." - Raymond Horricks 3 CDs - $44 Mosaic Select: John Patton (MS-006) "This set came into being as a result of a desire to celebrate and make available the first three John Patton albums that Blue Note released: Along Came John, The Way I Feel and Oh Baby! These were a pretty heady triumvirate with which to launch a solo career." - Michael Cuscuna, liner notes 3 CDs - $44 Mosaic Select: Curtis Amy (MS-007) Texas tenorman Curtis Amy had a long and distinguished career as a jazz artist, studio musician and record executive. During his years with Pacific Jazz, he recorded six superb albums that revealed an artist who constantly challenged himself as an improviser and as a composer. 3 CDs - $44 Mosaic Select: Duke Pearson (MS-008) Duke Pearson's watermark runs through Blue Note's output in the '60s. As a recording artist, he led lyrical trios, soulful sextets and a roaring big band. But his final Blue Note sessions showed his palate expanding to embrace Brazilian rhythms and melodies and impressionistic harmonies. 3 CDs - $44 Mosaic Select: Bud Shank/Bob Cooper (MS-010) "...the cool tag can be pretty safely applied to Bud Shank and Bob Cooper. Both were West-Coasters who served apprenticeships with Stan Kenton and both employed lightly swinging rhythm sections and all kinds of arranging devices." - Christopher Loudon, JazzTimes 3 CDs - $44 Mosaic Select: Pacific Jazz Piano Trios (MS-019) "The six tracks that represent virtually the entire legacy of Richard Twardzik as leader are of special interest, but the set succeeds on the strength of the contributions of Freeman and Fischer." - Duck Baker, Coda 3 CDs - $44 The following titles are no longer available: Mosaic Select: Bob Brookmeyer (MS-009) Mosaic Select: Don Pullen (MS-013) Mosaic Select: Dexter Gordon (MS-014) Mosaic Select: Art Pepper (MS-015) Mosaic Select: Johnny Richards (MS-017) Mosaic Select: Freddie Select (MS-018) Freddie Select!!!???????

Steve, I have watched that episode, but not the whole series (my partner has though) - I found the series generally over the top, corny, light & fluffy (lots of overacting) though Esse Davis is a fine actor (fantastic in the Australian movie "The Babadook"). Yes, I remember the music feeling out of sync ie later period material. The book is a fantastic read from a sociopolitical (and popular culture) angle with what was happening in Australia at that time. I've had the Sonny Clay Frog CD for quite a few years now so was aware of this historic encounter of Australia with African American culture/music/theatre and the spin offs from our retrograde White Australia Policy (WAP).