romualdo

this also came with my Sonny Clark email - appears that they're finally flicking Asendia (#$%@*) for all those non stateside orders - bonus for us here in Australia International Shipping We've been working with our fulfillment center to streamline international delivery and have contracted with FedEx International Connect Plus. This will provide immediate tracking and dramatically decrease the shipping time for delivery.

could possibly be this (extract from Alan Robertson's "Joe Harriott - Fire In His Soul", p80, 1st edn) - a response to the Free Form LP & "free" jazz in general As for the jazz public's reaction to the music, Coleridge Goode felt, 'A lot of people liked it. I think the majority of jazz fans liked it but, funnily enough, it was the other musicians who were dead set against it. But we used to play in Ronnie Scott's Old place in Gerrard St and, as we all know, a few years later free music turned out to be very much the thing to do'. One musician dead set against it was Dizzy Gillespie. Harriott told Melody Maker that at an overseas festival, possibly Antibes, he asked Dizzy to sit in and 'he said, "I don't want to play none of your damn weird music." Dizzy was put down in just the same way when he started experimenting. When he said that to me I felt, you can play your music better than anyone else, but you can't play mine.'

bad me, yes you're right - me being a big Wardell fan I just realised that I've communicated with him in the past - I'll drop him a line

Latest email from Jan Evensmo's "Jazz Archeology" site has a number of his entries updated. Was perusing the Elmo Hope solography & found this new entry by The Philly Joe Jones Sextet, including Elmo - what a lineup. Anyone know if this has actually been released anywhere? Wonder how long before Pujol etc get their hands on this. So, James Accardi is not only an Armstrong afficionado. Would love to hear this. James does contribute to this site AFAIK. Also found a listing of an unreleased acetate (James Accardi collection too) of Herschel Evans & Mary Lou Williams duo performance in the Evans solography PHILLY JO JONES SEXTET NYC. Jan. 5, 1963 Dizzy Reece (tp), Sonny Red (as), John Gilmore (ts), Elmo Hope (p), Larry Ridley (b), Philly Jo Jones (dm). WADO broadcast “The Symphony Sid Show” from Birdland (James Accardi collection), no EH on end theme 0:56 “Theme – Blue ‘N’ Boogie” but: 1:02 Theme – Jumpin’ With Symphony Sid Briefly in ens. (FM) 12:49 Joe’s Delight Solo 3 choruses of 32 bars. Acc. (dm). (FM) 9:52 I Can’t Get Started Intro 4 bars. Acc. (tp/as/ts). Solo 16 bars. (S) 6:59 Take Twelve Solo 5 choruses of 12 bars. (F) Postscript of Oct. 2021: Great jazz archeological discovery, the first broadcast unearthed with this group! The dynamics of the leader is incredible, particularly “... Twelve” can take your breath away. EH has a prominent role, note how he comps PJJ on “... Delight” in addition to a long solo. His highlight is “... Started”, and the sound is good enough to give much detail of his comping behind the various solists. A beautiful solo also, only too bad he only gets half a chorus here, less than all the others get.

Highly recommended read IMHO

what a lineup!!!

Date: January 18, 1957 Location: Van Gelder Studio, Hackensack, NJ Label: Prestige Gil Melle Septet Gil Melle (ldr), Art Farmer (t), Hal McKusick (as), unknown (ts), Gil Melle (bar), Teddy Charles (vib), Vinnie Burke (b), Ed Thigpen (d) a. 1058 Funk for Star People(Gil Melle) / arr: Gil Melle - 6:37 b. 1059 Golden Age(Gil Melle) / arr: Gil Melle - 6:46 c. 1060 Herbie(Gil Melle) / arr: Gil Melle - 4:21 All titles on: Prestige CDOJCCD-1753-2 — Gil's Guests (1990) Prestige/Victor (Jpn.) CDVICJ 41385 — Gil's Guests (2006) Fresh Sound (Sp.) CDFSR-CD 479_2 — The Complete Prestige Recordings (1956-1957) (2008) Prestige (Eu.) CD00025218175326 — Gil's Guests (2009) Universal (Jpn.) CDUCCO 5263 — Gil's Guests (2014) Solos: a - unknown (ts); Art Farmer (t); Gil Melle (bar); Teddy Charles (vib) b - Gil Melle (bar); Teddy Charles (vib); Hal McKusick (as) c - Hal McKusick (as); Art Farmer (t); unknown (ts); Vinnie Burke (b) These 3 tracks were never issued on the original LP, Prestige 7063 and apparently destined for an LP that was never completed. The personnel have generated much controversy. Here is an historical summary: 1. Donald Byrd (t), Phil Woods (as), Gil Melle (bar), Joe Cinderella (g), Vinnie Burke (b), Ed Thigpen (d) This lineup appears first in: (a) Jepsen's Jazz Records 1942-1962 (1963) and repeated in: (b) Ruppli's Prestige Records Discography, 1972 and 1980 editions; (c) Bruyninckx Discography, 1977 and 1987 editions; (d) Liner notes to Prestige OJCCD-1753-2 (1990). 2. The Lord Discography (1996 print edition) shows: Art Farmer (t), Hal McKusick (as), poss. Seldon Powell (ts), Gil Melle (bar), Teddy Charles (vib), poss. George Duvivier (b), poss. Shadow Wilson (d). 3. Personnel provided by Gil Melle in a 1999 interview with Rudy Van Gelder historian Dan Skea: Art Farmer (t), Hal McKusick (as), Zoot Sims (ts), Gil Melle (bar), Teddy Charles (vib), Joe Cinderella (g), Vinnie Burke (b), Ed Thigpen (d). Melle was particularly emphatic about the presence of Sims and Charles and frustrated by their omission from the Original Jazz Classics CD liner notes. 4. Personnel in the Bruyninckx Discography, 2004 pdf edition - same as 2. 5. Personnel shown on Fresh Sound FSR-CD 479_2 (2008) and in the Lord Discography, current online version (2009): Art Farmer (t), Hal McKusick (as), Seldon Powell (ts), Gil Melle (bar), Teddy Charles (vib), George Duvivier (b), Shadow Wilson (d). After being troubled by this session for years, I recently (August 2009) have revisited it in an attempt to definitively identify the participants. Unfortunately, that goal remains elusive. Nonetheless, here are some of my conclusions: 1. The early information, repeated on the 1990 CD reissue, is wrong. A vibraphone and tenor sax are clearly audible and the trumpeter and alto saxophonist are definitely NOT Byrd and Woods, respectively. 2. No guitar is audible on any of the tracks. 3. The musicians present beyond any doubt (aural evidence) are Farmer, McKusick, Melle and Charles. 4. Despite what Melle indicated in the 1999 interview, the tenor saxophonist is NOT Zoot Sims based on aural evidence (confirmed in a phone conversation and email exchange with Hal McKusick). It could very well be Seldon Powell but to me, that remains insufficiently substantiated and so I am listing the tenor sax player as unknown until I find compelling evidence for Powell or anyone else. 5. The bassist and drummer sound to me much more like Burke and Thigpen than Duvivier and Wilson, respectively. Hal McKusick's recollections of the session lean in the same direction. from Noal Cohen's Teddy Charles Discography https://attictoys.com/teddy-charles-discography/#sess-year_1957

Saw the same duo here in Brisbane (Australia) round the same time, even spoke to him after the concert. Also loved his artwork, much of it adorning LP & CD covers RIP Peter, one of the greats

Emailed John from JIB & just received a reply - download has now been corrected Hi Stephen, Those glitches in Southampton 1 must have occurred during the upload to Bandcamp... someone else spotted them yesterday... so we have replaced that track and it's fine now for new downloads. Thanks for alerting us. Best John Jazz In Britain

anyone listened to the recent JIB release Trevor Watts' Original Drum Orchestra "The Art Is In The Rhythm", Vol. 2 Two concerts (Cardiff & Southampton) from 1989 - almost 3 hours Looking to be one of my favourite JIB releases - has echoes of McGregor & The Blue Notes (sans piano), Brotherhood of Breath etc the violin & Watts soprano blend beautifully with the traditional African instruments As usual I've downloaded & created two CDrs for better SQ listening - unfortunately on the first Southampton track (Disc 2, track #2) there are 5 dropouts, each of 4 seconds between 30:25 & 31:34 - I've excised these using Audacity & created a modified file. Anyone else heard these dropouts on their downloads or CDs.

I've been a listener of Fahey's for years, well before the term "American Primitive" was coined for his (and others) "category" of music

there's the connection but his relationship with Fahey goes deeper than that https://www.furious.com/perfect/fahey/fahey-winston.html

"Taken from a compilation of recordings from 1961-2 in Horace Tapscott's archive" I presume the other 5 titles on this 2LP set are from the same time period (61-62) What's the label behind this?

both the LP & CD are OOP on the Dutton/Vocalion site (second hand prices have increased significantly on Discogs since) - BTW, there's virtually no (cept for 1 CD) remaining Harriot & related material remaining on their site

Just sourced these two Fresh Sound CDs - solo Martial Solal recorded by Ross Russell at the Whitney studios (Glendale) in June of 66 - beautifully recorded on a Steinway Ross planned to release this material on two LPs but it never eventuated. Over two hours of Martial's magic. Maybe this has been mentioned previously (couldn't find anything on search) as the CDs are from 2017/18 https://www.freshsoundrecords.com/martial-solal-albums/6637-solo-piano-unreleased-1966-los-angeles-session-volume-1.html?search_query=martial+solal&results=26 https://www.freshsoundrecords.com/martial-solal-albums/6692-solo-piano-unreleased-1966-los-angeles-session-volume-2.html?search_query=martial+solal&results=26

same here, I'm drooling!! love the cover pic Tempted to get the vinyl this time

Confront Recordings have just released a 6CD Alan Skidmore retrospective, the vast majority of the material previously unreleased https://confrontrecordings.bandcamp.com/merch/alan-skidmore-a-supreme-love-6xcd-box-set-twenty-page-booklet

So, if it's Nov 1 or 2 then here's the musician listing from Campbell/Trent Sun Ra p/synth, Michael Ray tp/vo, Eddie Gale tp, Chris Capers flh, Tyrone Hill tb/vo, Marshall Allen as/fl/perc, John Gilmore ts/cl/vo, Ronald Wilson ts/bs, James Jacson bsn/fl/cowbell/perc, Kash Killion clo, Bruce Edwards el g, Jothan Callins el b, Buster Smith dm, announc/T-shirt sales, Elson Nascimento surdo grande/chimes/perc, June Tyson vln/vo India Cooke vln was only present on Nov 1 Bay area musicians (Cooke, Killion, Wilson & Gale) took part in the Oakland concerts some multitasking here - see Buster Smith's duties

If it's Nov 3 then Pharoah Sanders & Julian Priester should be present - they were absent on Nov 1 & 2

according to Campbell/Trent "Earthly Recordings of Sun Ra, 2nd edn" the Arkestra (minus Ra) played at Koncepts Cultural Gallery (Oakland) on Feb 1 & 2, 1991 then with Ra from Nov 1-3 (ie 5 different dates) Is there a date mentioned on the DVD? if so I can give you more musician details

https://jazz.centerstagestore.com/pages/john-coltrane wanna buy a tee, tote bag or mug ? also https://www.npr.org/2023/05/31/1179098682/john-coltrane-eric-dolphy-village-gate-1961-lost-album?

That was beautiful - what a gorgeous, gracious & humble multi-talented person Bill is He reminded me of another contemporaneous bass player Peter Ind

The single got to #29 here in Australia (Oct 8, 1966)

In the early 90s a friend here in Brisbane showed me his Mosaics (DeFranco, Grant Green, Bechet) just as I was getting serious about jazz (had dabbled with Davis, Coltrane previously) - he also gave me a few Joe Henderson LPs (80s pressings). I was converted - first sets were the Mingus & Taylor Candids in 93 (I was 36)

I was lucky enough to see Stan & band here in Brisbane, Australia circa 1996 - may have been promoting the ST Octet "Portraits Plus" release (fantastic album IMHO) - I know Art & Clark were present. I even taped the concert - still have it somewhere