bertrand

Right, you said so a while back but the press releases still were only mentioning LPs which is why people kept asking. I will edit my post for clarity. Update: Post edited for clarity.

Correct. Even if she had initiated it, which I doubt, he was require to say no.

Music is great, of course.

So I found out 30 minutes before that they had a Zoom meeting organized by Berklee to talk about Weather Report. A number of former members there: Peter Erskine, Chester Thompson, Omar Hakim, Mino Cinelu, Alphonso Johnson, Skip Hadden, Robert Thomas and Wayne Shorter himself who seemed very happy to be reminiscing with the cats. 3.5 hours of my life could not have been better spent! Wayne mentioned Woody Sonship Theus several times, almost suggesting he was somehow involved in early Weather Report in some way. I can't remember how his name came up. He also seemed to be suggesting that Woody's heart was no longer in music after Coltrane died and that he became some sort of preacher, but that does not jibe chronologically,

So do you definitely hear some clicks and pops between 8:30 and 10:30 on 'Seven And One'? Just want to make sure it is not my CD. I will live with it, but it is disappointing that the master is definitely lost for good.

Elegant People: A History of the Band Weather Report: Bianchi, Curt: 9781493059997: Amazon.com: Books Bianchi runs this excellent website: www.weatherreportdiscography.org

I was speaking half in jest, but only half...

Has anyone else heard the Redman and can confirm that the source was a vinyl? I always wondered where the master could be.

It confirms that there will be a CD version. David had told us so a while back but none of the press releases were mentioning the CDs because everyone is pushing vinyl and most Blue Note reissues these days are vinyl only. Hopefully real CDs and not CDrs. I can't imagine Blue Note would ever go that route, but then I never thought some of those other labels would either.

From the thesis: Patton also took on a musical responsibility in Price’s band. Though the personnel on Price’s records is never listed, Patton recalls: “I’m on the majority of Lloyd’s records...with ABC-Paramount.”[1] Furthermore: “We [Price and Patton] collaborated on a lot of tunes, “Personality,” “[Where Were You On Our] Wedding Day?,” “Stagger Lee,” “Have You Ever Had The Blues?”[2] The collaborations were often un-credited, and at times, Harold Logan, Price’s business partner who was not a musician, would receive song-writing credits. “The story was that Lloyd got all the credit, you know...we were just the band.”[3] For the record, Patton was credited, along with Logan and Price, for “Where Were You On Our Wedding Day?” Ben Dixon remembers, “John was a great writer in that vein....John Patton knew how to write hits. In fact he wrote one called ‘Where Were You On Our Wedding Day?’ which sold about 800,000 copies I think.”[4] Later on, in 1961, after leaving Price’s band, Patton got a job as a staff song-writer for Scepter Records, a label that was oriented towards the pop side of rhythm-and-blues and included such acts as Dionne Warwick and the Shirelles. So the story is consistent with that Patton told me. I think he suggested he was the sole composer of Personality, but we will never know for sure. At least he shares the writing credit on the other piece. I have yet to find if there s a copyright on Personality at all, and I have not checked BMI either.

What does it say? I need to dig it out...

Correction: I did not find a copyright deposit for Personality, I was confusing it with Where Were You On Our Wedding Day? So officially, it is Logan/Price, unofficially John told me he was the composer. We will never know for sure.

I think the copyright deposit says Price/Patton, but John told me he was the sole composer.

Somewhere out there are also the original, carefully notated songs. I assume the Mingus organization has these. Have they ever been played live by the Mingus ensembles?

Is the Redman a needle drop? Check track 4.

Personality was written by John Patton.

Is this vinyl and download only, no CD option? Also, in what way was it 'lost'? 'Ignored' is more appropriate.

So it looks like this is how the preorders work - they didn't just go ahead and charge and ship, they wanted me to confirm that I wanted to proceed first and I had until Sunday 5/23 to pay. I confirmed and payment is being processed, so hopefully it will ship soon. Shipping is $3, which I think is a bit cheaper than shipping a single CD under a normal order. If this is new, it is a great feature - good way to guarantee to get something they may only get one or two copies of. There is a disclaimer about abuse of the system, which makes sense - someone could find it elsewhere cheaper and cancel the preorder. It could be that I will see this one cheaper elsewhere, but so far the only option is Japan. So it is definitely an approach I will consider for future Japanese releases, after a bit of shopping around. Edit: The order has shipped.

So this just popped up: Jimi Hendrix 1969 KPFA Tapes by Alan Douglas : KPFA : Free Download, Borrow, and Streaming : Internet Archive The Young/Hendrix Jam 14:49 caught my eye, of course. This one is halfway between the short version and the long version, lengthwise. This has a date of 4/2/69, the Hendrix site claims 4/14/69. Is it possible there were TWO Hendrix/Young jams, two weeks apart? I will download and compare, but maybe someone knows off-hand what is the deal...

It seems you cannot combine it with other orders, that was my original plan. On the plus side: the shipping is $3 for a box, once a week. So if you preorder several CDs, and they all arrive the same week, you play a flat $3. I paid less for shipping on this one CD, less than if I had made a regular order.

Is Billy Brooks still living?

Does anyone have any experience with Dusty Groove pre-orders? I see this: Placed May 13, 2021 Order # 1545856 1 item Order in process and a total with shipping. Does this mean it is definitely coming? I did not get an email yet, but that may come when it ships.

I'm not buying the story with Grant Green being on loan from Blue Note. Larry had not even recorded Unity yet... I think John Patton told our fellow member that it was Larry. For me, the fact that the organist plays the Love Supreme vamp pretty much all through Go Down Moses points towards Larry.

No this is different - these are the contracts signed by the artists. If that Grant Green Left Bank tape is ever located, no one could put it out without clearance from whatever label he was signed with on the day of the recording. In this case, it was probably no label, but no one wants to be Palo-Altod.

The saga never ends. The subject of Wayne Shorter's Vee Jay and Blue Note contracts came up on the Mosaic/Frank Wolff photos Facebook page. So I asked about Grant. Apparently: 1) Grant was on loan to Verve and still with Blue Note in 1965. Does it say courtesy of Blue Note on the King Funk record? 2) The contracts still exist in the vaults but not available for us to see. I am sure Cobblestone said 1967 because by then Grant was a free agent. They probably did not know the date but were not about to go digging. I wish Blue Note would at least release the contract dates, I don't need to know about the bread. If that 1966 Left Bank session is to be released ever, someone needs to know if he was a free agent at that point. He probably was.