sonnymax

While I too am confused about the message in flat5's post, reading different accounts of the accident provides some clarification. Depending on the source, Golub was either "dragged", "hit", "clipped", etc. by the train. From what I gather, he fell onto the track, but was helped back onto the platform by others as the train came in, and therefore only his leg was injured by the moving train. As far as the dog's role in the incident, Golub is quoted as saying, "Nobody had enough time when I was jumping in front of the train to stop me, but there was a guy who helped pull me up. I'm lucky I didn't fall underneath the train." Given this reluctance to assign blame, I'm inclined to extend the same courtesy to Luke.

Funny? Sort of. Genuine? No. This "interview" is a fake, one of many written by people emulating "yogiims" to explain/entertain about a vast array of topics.

I like the Payne/Drew score, although not as much as the one penned by Freddie Redd. Considering the fact that Payne has Clark Terry, Bennie Green, Duke Jordan, Ron Carter and Charlie Persip on hand, how can you go wrong?

Everybody heard this one?

Well, it's not your point, but that doesn't mean that my views are irrelevant. Threats, no matter how unlikely, are still a possibility, and in this matter they are unnecessary and easily avoided. There is absolutely no need to publicly share information that might in any way reflect negatively on our host. What we say privately is our own business. I can't understand why this alternative would not satisfy the different positions expressed here.

I'd like to add two points, if I may. To say that Jim has "nothing to fear" in a potential copyright lawsuit argues the point that he would win any such litigation. Such an argument misses the point that he nonetheless could be harassed with the threat of legal action. That harassment, brought on by our actions, would be inexcusable, imo. My second point is this: if a member is interested in obtaining or sharing a questionable title mentioned in someone's post, they need only send a PM to that person. A private message is an easy and effective way of communicating information that might raise questions or concern in a public forum.

That's fine. I'll settle for a Sky King Tele-Blinker ring!

Given that it shares the same title, I'd imagine it is. Date: June 8 & 9, 1983 Location: Van Gelder Studio, Englewood Cliffs, NJ Uptown LP 12": UP 27.14 Frank Wess (as, ts), Johnny Coles (fh), Kenny Barron (p), Reggie Johnson (b), Kenny Washington (d) a-01 Whistle Stop - 5:56 (Kenny Dorham) / arr: Don Sickler a-02 Morning Star - 5:31 (Rodgers Grant) / arr: Don Sickler a-03 Celia - 4:57 (Bud Powell) / arr: Don Sickler a-04 Nica's Tempo - 6:36 (Gigi Gryce) / arr: Don Sickler b-01 Minority - 5:40 (Gigi Gryce) / arr: Don Sickler b-02 Ill Wind - 6:29 (Harold Arlen, Ted Koehler) / arr: Don Sickler b-03 Stablemates - 6:00 (Benny Golson) / arr: Don Sickler b-04 An Oscar For Oscar - 4:13 (Kenny Dorham) / arr: Don Sickler

Looks like a Fender Stratocaster!

If you ever see the Mingus Big Band perform Boogie Stop Shuffle, you'll be treated to Ku-umba Frank Lacy singing the words to the Spiderman theme over Mingus's music. It's funny to watch the faces of audience as they experience the same "ah-ha" moment you describe.

Someone smart enough to realize that people like yourself will react by spreading the word.

The password is...

Originally issued as "Pre-Bird" on Mercury: It was later "revisited" on Limelight as, well...

You guys should read the article before posting comments. Nobody "entrusted" or "paid" the woman, she did it on her own without permission and without other people's knowledge.

Maybe we need a secret handshake.

Of course, the Chicago Jazz Festival is hardly complete without the after-fest jam sessions at the Jazz Showcase, hosted this year by Ira Sullivan and Stu Katz. Although the Festival is free, the Showcase isn't. It will cost you $20 to see who shows up from the Festival, and to enjoy a host of talented local artists. If you've never seen Ira, you have to go!

The 34th annual Chicago Jazz Festival will take place from August 30th to September 2nd. Saxophonist and composer Ken Vandermark has been named this year's Artist in Residence. During the course of the festival, Vandermark will be performing in duets with Joe McPhee and Paal Nilssen-Love, with his Made to Break Quartet, and with the larger Resonance Ensemble. Here's the line-up: Thursday, August 30 Chicago Cultural Center - Randolph Café, 77 E. Randolph St. 12:00 - 1:00 pm - Chris Madsen Bix Quartet 1:30 - 2:30 pm - Hyde Park Jazz Society Presents "A Tribute to Jodie Christian" featuring the Ken Chaney Chicago Cultural Center - Claudia Cassidy Theater, 78 E. Washington St. 12:15 - 1:15 pm - Damon Short Quintet 1:45 - 2:45 pm - Japonesque with special guest Dee Alexander Chicago Cultural Center - Preston Bradley Hall, 78 E. Washington St. 12:30 - 1:30 pm - Stu Katz / Willie Pickens Duo 2:00 - 3:00 pm - Jim Gailloreto's String Quintet Millennium Park - Jay Pritzker Pavilion (201 E. Randolph St. between Michigan & Columbus Ave) 6:30 - 8:30 pm - Exquisitely for Ella: A songbook Tribute to Ella Fitzgerald featuring Jeff Lindberg's Chicago Jazz Orchestra Friday, August 31st Roosevelt University - Ganz Hall , 430 S. Michigan Ave. 5:00 pm - Ken Vandermark and Joe McPhee Millennium Park – Jay Pritzker Pavilion 6:30 - 7:30 pm - CALJE (Chicago Afro-Latin Jazz Ensemble) 8:00 - 9:30 pm - Roy Haynes Fountain of Youth Band Saturday, September 1 Grant Park (Jackson Blvd. & Columbus Dr.) Jazz Oasis (Just East of Petrillo Band Shell on Jackson) 11:00 Heather Moran Quartet 12:00 Shawn Maxwell Quartet 1:00 Jeff Mackevich Quartet 2:00 Paul Abella Trio 3:00 Nanette Frank Jazz Ensemble 4:00 Tommy Muellner's Chi-Town Jazz Aristocats Jazz on Jackson Stage 12:00 - 12:55 pm - Alfonso Ponticelli & Swing Gitan 1:10 - 2:05 pm - Jason Stein Quartet 2:20 - 3:15 pm - Frank D'Rone 3:30 - 4:30 pm - Ambrose Akinmusire Chicago Community Trust Young Jazz Lions Stage 12:00 - 12:30 pm - Lakeview High School Jazz Combo 12:45 - 1:15 pm - Saucedo Scholastic Academy Latin Big Band 1:30 - 2:10 pm - Curie Metro Jazz Ensemble 2:25 - 3:05 pm - Evanston Township High School Jazz Ensemble 3:20 - 4:00 pm - Pritzker College Prep Ensemble 4:15 - 5:00 pm - NIU Jazz Ensemble Cricket Jazz and Heritage Stage 12:30 - 1:30 pm - Caroline Davis Quartet 2:00 - 3:00 pm - Ken Vandermark and Paal Nilssen-Love 3:30 - 4:30 pm - Marlene Rosenberg Quartet Petrillo Music Shell 5:00 - 5:50 pm - Billy Hart 6:00 - 6:55 pm - Resonance Ensemble 7:10 - 8:10 pm - Jerry Gonzalez Y El Commando De La Clave 8:30 - 9:30 pm - Dianne Reeves Sunday, September 2 Grant Park (Jackson Blvd. & Columbus Dr.) Jazz Oasis 11:00 Sam Fazio Quartet 12:00 Arlene Bardelle Quartet 1:00 Roger Harris Quintet 2:00 James Sanders Quartet 3:00 LePercolateur 4:00 Spiral Jazz Quintet Jazz on Jackson Stage 12:00 - 12:55 pm - The Milton Suggs Philosophy 1:10 - 2:05 pm - Jeremy Kahn Sextet 2:20 - 3:15 pm - Ken Vandermark's Made to Break Quartet 3:30 - 4:30 pm - Matt Wilson's Arts & Crafts Chicago Community Trust Young Jazz Lions Stage 12:00 - 12:35 pm - Chi Arts Jazz Combo 12:50 - 1:25 pm - Kenwood Academy Jazz Combo 1:40 - 2:25 pm - Northwestern University Jazz Ensemble 2:40 - 3:25 pm - Downers Grove South Jazz Ensemble 3:40 - 4:25 pm - Lincoln Park Jazz Ensemble Cricket Jazz and Heritage Stage 12:30 - 1:30 pm - Edwin Sanchez Project 2:00 - 3:00 pm - Jeff Newell's New-Trad Octet 3:30 - 4:30 pm - Tito Carrillo Petrillo Music Shell 5:00 - 5:50 pm - Sarah Marie Young Quartet 6:00 - 6:55 pm - Pierre Dørge and New Jungle Orchestra 7:10 - 8:10 pm - Steve Coleman and Five Elements 8:30 - 9:30 pm - Allen Toussaint's "The Bright Mississippi" featuring and Marc Ribot and Don Byron

I guess Herbie should know. He used to play jazz.

A smiles is a curve that sets everything straight - Phyllis Diller Rest in peace, and thanks for setting us straight.

Personally, I'm glad to see the RVG remasters go. Aside from some of the early stuff (Miles Vol. 1 & 2, Monk's Genius Vol. 1 & 2, Eminent J.J., and a few others) I never did care for those things.

Picked up Loren Stillman's 1997 debut on Soul Note featuring Russ Lossing for only $3.23.

Amazon Local offers $3 MP3 Credit Towards Any MP3 Album $5.99 or more for Free. Click on this link and buy a free voucher worth $3. You'll receive a receipt for the purchase via email. Clicking on the link in the email takes you to "your vouchers" on amazon's website where you'll get a personal code, then enter that code like we've done in the past. Sure it's a few extra steps, but it's $3! Promotional credits must be redeemed by September 2nd.Sorry, U.S. customers only.

It took me less than 10 minutes to find lossless versions of all the Sun Ra titles in that box on the Internet. Why should I pay someone else?

whom are you quoting?

Past trauma or neurological conditions can make it difficult to train individual dogs, but it isn't true that "pugs can't be trained". No offense, but the problem probably lies in your methods. 99% of effective training is teaching owners how to behave. As to the OP's question, my two cats have never displayed obvious distaste for any of the music they've heard. With names like Max Roach and Sonny Rollins, I guess this isn't surprising. Of course, I've never subjected them to smooth jazz. I'd conduct an experiment to test this possibility, but APA guidelines for ethical research prohibit me from doing so.