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mjazzg

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Everything posted by mjazzg

  1. LP 3. This set really is a treasure trove that I'm enjoying the discovery of at a leisurely pace - an LP a month
  2. Out of interest Clifford, which ones? I might save your post for those days when Bley's earlier discography feels like a maze
  3. Well I'd have to considerably improve my German first to fully appreciate it
  4. Looking at how many Vandermark albums are available on Spotify UK, just 13 of 50+ titles on Discogs, I suspect he's already done so, apart from with labels he's unable to influence. There's nothing from any label's he's been involved insetting up. If there's a musician who's walked the talk over the last 20 years, it's Vandermark. Just thought the "fuck him" was a bit harsh. Now I promise not to digress again I really should listen to this release you're all raving about
  5. I'd've thought that Vandermark's been ahead of that curve for some time now. Just look at his live schedule. He was also quick to embrace Bandcamp and set up a collective label/distribution/online shop with McPhee, Brotzmann et al. All of which doesn't mean he can't be negative about Spotify's business model if he wishes - he's not the only one anyway, we digress. Apologies, back to boxsets
  6. I'll listen to anything that has Sommer involved. This is duet with pipe organ. Great sounds.
  7. Yeah, agree on the "woven". If you can see them live, do so. It's even better than on disc! Enjoy your promo of Awase, lucky you to have it early. Jealousy doesn't become me but sometimes...
  8. It's decades since ECM has been anything like a Jazz label so I'm not sure defining any idiom by the output of that or any other label gets us anywhere
  9. Always pleased to hear a new album from Mary Halvorson. https://maryhalvorson.bandcamp.com/album/code-girl The three available sample tracks certainly work for me, including the vocals. Another development from one of the most creative musicians about at the moment, as far as I'm concerned
  10. You can always rely Mr.LondonJazzCollector to put in the research. Entertaining blog all round for some time now if a little "specialist" at times
  11. Yeah, I can get that. In fact I think it was as much about the polished, slick sound as the musical style when i said idiosyncratic upthread. Although they are both part of the package, honed over hours of live playing in Bartsch's club space. The earlier albums on his own label are even more polished and diamond hard sounding The live album on ECM has a more organic, less studio polished sound if you ever felt so inclined but it's still clockwork precise
  12. It's such an idiosyncratic sound/style that I think many, many listeners will react similarly. Definitely an acquired taste It's also got next to nothing to do with Jazz and whilst repetition is important I hear less direct influence from the Minimalists, as suggested above, but more from Techno and other dance musics - see the work of Moritz von Oswald, Alva Noto et al. Live, it's hypnotic (or probably repetitively boring, depending on the listener!) and impressive that it's all done without samples/tapes etc
  13. Cheapest on UK Amazon is currently £16.50. That's tantamount to giving it away...well not quite but you get my drift. Still haven't weakened
  14. Stop it with these positive first impressions, I can feel my will weakening...
  15. I'd buy that. I only have 'Otis Blue' (probably like thousands of others) and could probably go and buy any other of his individual albums but 'Sittin'...' is such a musical peak (irrespective of genre) to my ears I'm intrigued by what else was happening in his musical world at that point. Yes,I may be suckered by the label promotion but sometimes I can live with that
  16. and the Higgins and Lloyd duo album on ECM, 'Which Way is East' is the sound of that friendship. A distillation of their work together on some of Lloyd's other ECM releases too
  17. it's not the strongest track in his oeuvre or on this album
  18. making do with Larry in lieu of Johnny. He'll do, definitely
  19. Yes, thanks. I've been hovering over the Discogs LPs for a while but many aren't in great nick and postage from US etc...it'll be the CD in the end If you don't get on with it let me know...
  20. mjazzg

    Hubert Laws

    that's tasty on many levels, not just the Laws solo. Thanks for posting
  21. I agree. Good time 'groove' music but then I'm a sucker for vibes most anywhere I've wanted that LP for a long time. Pockets have to be quite deep too, sadly
  22. Just read this, entertaining https://www.allaboutjazz.com/buell-neidlinger-from-taylor-to-zappa-to-the-carpenters-buell-neidlinger-by-clifford-allen.php?pg=1 I trust Clifford's OK with it being posted here. If not, apologies
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