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felser

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Everything posted by felser

  1. To double back on your first point, I would a lot more people listen to Classic Vinyl (I do) than to Real Jazz (I don't) in the car. Neil Young Radio took over Deep Tracks, which was an annoyance to me, as that is one of my favorites, but I did enjoy Neil Young Radio.
  2. Works for me, will set one of my buttons to it for the week. They do a nice job on these stations, have enjoyed the Neil Young and Beach Boys limited engagement stations the past year. A channel dedicated to the giant of jazz View in a web browser What to Stream Right Now It's included in your plan A channel dedicated to the giant of jazz When Miles Davis called his 1951 debut album The New Sounds, he wasn't kidding around. The legendary artist consistently reinvented jazz throughout his storied career, and we're highlighting it all on Miles Davis Radio, one of our special limited-run channels honoring Black History Month. Spanning his massive discography of more than 100 studio and live albums, the channel also features alumni band members as hosts, including Marcus Miller, Lenny White, John Beasley, Joey DeFrancesco, Vince Wilburn Jr., and more. Tune in all month on the SXM App or catch the channel when it takes over Real Jazz (ch. 67) from February 14-21.
  3. Correct on all counts.
  4. Iiiiiiiii'm getting clowoser to my howwwwwwme! I actually enjoy their Terry Knight-produced stuff. Mind you, I'm not saying it's good, but it hits a spot for me. Don Brewer singing killed the deal for me, as did the open misogyny of "We're An American Band".
  5. Steve Miller Bob Seger Linda Ronstadt/Stone Poneys Quicksilver Messenger Service Lou Rawls SRC Joe South Gandalf Hearts and Flowers The People Insect Trust Patti Drew
  6. This is the one I have landed on for her early material, after previously going a few other routes. I also have the Philips and RCA box sets, plus the post-1962 Colpix Carnegie Hall album. http://acrobatmusic.net/?cid=5&AlbumId=1169
  7. BFT 215 Late to the party (life sometimes intervenes to interrupt my listening), but at least I get a participation medal. 1 – Pretty background music to me. 2 – Couldn’t get with the rhythm on this one, sort of like an old-time cartoon. Very annoying to me. 3 – Background music, though quite pretty. 4 – Beginning is totally lost on me, but it gets much better for me once it gains a little structure, and I end up liking it a fair amount. Certainly, some Flora Purim influence, maybe mixed in with a little Karin Krog. Good guitar. Urszula Dudziak? 5 – Certainly takes its time getting there. Quite a piano player, and a fine tenor player. I would suspect this one has the “big names”? Would like to own this one if I don’t already. 6 – Good cut, well worth hearing. Quite energetic. 7 – Another one where I’m not crazy about the rhythm, though it’s not the turnoff #2 is to me. They can all play. I do like bass clarinet. 8 – I like this a lot, both the tenor (shades of George Adams) and the guitar (very early-Coryell-ish). And good composition. Would like to have this one in my collection if I don’t already. 9 – Grabs me from the get-go, really enjoy the bass/drums time. Good cut. 10 – Meanders to me, though they can play. Thanks for an interesting BFT. Especially want to find out about #5 and #8, but also curious on several others.
  8. I have a friend who went to high school with him, tells a funny story about being shocked that Todd would give up his gig as rhythm guitarist in Woody's Truck Stop to form some new group.
  9. I'm actually doing pretty well selling out on ebay right now. People are paying me decent/fair prices for some old rock stuff.
  10. +1
  11. The guy who runs millionsofrecords used to run ebreggae, who had a good jazz selection. He always did a good job in keeping cd and shipping prices low, packing well, and shipping promptly.
  12. Thanks, didn't order the set, but used the 10% off code for other items. Greatly appreciated!
  13. And not hard to find or expensive. Just checked on discogs and ebay, you can get them both for around $10 each shipped.
  14. That That was really good, thanks for sharing. I remember the Pryor/Chase skit well, and actually have rewatched it in the past year.
  15. FWIW, I'm a huge Rod Serling fan. (Twilight Zone and some of the earlier teleplays, especially "Requiem for a Heavyweight" and "The Arena"). Dan, thanks for the BFT and the shout out! Need to read that Nat Dixon article as soon as my NYT monthly freebies refresh tomorrow. Not at all familiar with him. Not at all surprisingly, I don't own any of the music on the BFT. As noted, the Frank Foster tune is most definitely not "Simone", which is one of my all-time favorite compositions. I do like Foster a lot.
  16. felser

    Buck Hammer

    Interesting, I've heard it the other way, that Taylor was the one opposed to it, and that he did not try to meld with Williams. Nonetheless, a very fascinating listen, though not a "together" one.
  17. I'm glad to have "My Shining Hour", but agree it doesn't have the magic of the studio recordings.
  18. felser

    Buck Hammer

    Hammer and Jackson had more human warmth together than Taylor and Williams did.
  19. Briefly tasted the youtube post, then immediately ordered mine from Amazon (Dusty Groove is sold out). Thanks for the lead!
  20. I find that Zeitlin sounds much more Evans-like on some later albums than others. But in the 60's he sounded like himself.
  21. Yes, included it in one of my BFT's a few years ago. I love it, though it received mixed reviews from the gang here. I am bummed about no CD. Hard to go wrong with a rhythm section of Bonner/McBee/Connors
  22. Great set, and by far my favorite Zeitlin. I saw him at Penn's Landing in the late 80's. Technically superb, but didn't have the fire some of this material does. I have picked up several other items by him on the cheap through the years, and emotionally find it very hit or miss, though it's always masterfully played.
  23. Yes, great to have you in the neighborhood!
  24. It hasn't been mentioned, but here is my favorite release of 2021, also my first or second favorite Gary Bartz album of all-time (along with the criminally neglected 'Home'). This is my go-to Bartz now. A more advanced/stretched out take on the great "I've Known Rivers" set.
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