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T.D.

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Everything posted by T.D.

  1. April 18 "Premieres" https://live.bangonacan.org/april-marathon-2021/ Incl. Matana Roberts, Rudresh Mahanthappa.
  2. Good luck. I put together a "synthetic" Hill Mosaic a year or two ago (took about a year - I didn't want to pay really high prices) by picking up the individual discs I didn't already own. I see one on discogs from a Netherlands seller at $15 and change shipped to USA, would go for that in your position.
  3. I avoided Hovhaness for the longest time b/c I couldn't imagine I'd like his music. Only this year I got a recording of Mysterious Mountain (cond. Schwarz, part of a Delos American composers compilation via Berkshire) and (surprisingly) loved the piece. But he seems to be a polarizing composer, so it could go either way. I don't have a desire to acquire many recordings of H's work - huge volume of compositions and perhaps a lot of them are somewhat similar.
  4. I was once an intrepid explorer of new music (particularly from Berkshire, as that was a cheap way to experiment), but cut back dramatically because far too many discs failed to provide lasting pleasure and got culled. And there was little market for the obscure US composers. I did a big Euro-contemporary classical cull 10-12 (or so) years ago and was able to make decent money off it via eBay and Amazon. Nowadays I just give the stuff away; local public library won't even take CDs. Some even go direct to dumpster these days. From the above list, I culled a Brant and some Martino; still have a Martino piano disc that probably won't survive. Saw Eighth Blackbird once in concert and loved them; bought one compilation disc and hated it, rapid cull. Have one Lazarof recording which only survived because it's a postscript to good Varèse performances on a Vanguard Classics disc with Abravanel conducting. My jazz and standard repertory classical culls have mostly been single discs that became duplicated by box purchases. Larger ones may be forthcoming.
  5. Agreed. Honestly, IMO most of Mosaic's communications and actions over the past 3 or so years have pretty much screamed "Liquidation!" So I expect basically nothing and regard any further releases as gravy, pleasant surprises, whatever. After extended fence-sitting I went for the J. J. Johnson, one I'd long considered but held out on. No doubt heresy, but I've been in a downsizing mode (getting old, etc.) and Mosaic's bulky format appeals less and less.
  6. I was notified by e-mail: Restored Version of February 21 Marathon Available Til 3/15 Tim here, on behalf of the whole team at Bang on a Can! Thank you so much for tuning in, for giving generously, for being part of this experiment in Online Marathon-ing. There were a few unfortunate blackouts in our last concert, so we went back to the live feed from headquarters and found that none of those issues originated with us (thankfully, since the performances are still intact). As we move forward with our next Marathons on March 21 and April 18, we hope to test all possible solutions, and fully expect to stream great shows without interruption. Remember that we're here to answer questions and generally correspond about all that we're doing to get back up and running post-pandemic. As always, we're looking to commission more than a dozen new pieces for the next (April 18) Marathon, and if you have any questions at all please don't hesitate to reach out to me (Tim Thomas). If, for instance, you want to partner with other Can Bangers and pool your resources, by all means let us know and we'll help you do some match-making! Again, thanks. And now, on with the show: FEBRUARY 21 BANG ON A CAN MARATHON RERUN
  7. I've never liked the sound of the recorder, regardless of how well it's played. Fortunately, it's never been a problem in jazz listening.
  8. If you're thinking of ordering direct from the label, take a look at this page: https://www.newworldrecords.org/pages/special-offers Gives a little incentive.
  9. I bought the Japanese reissue of Billy Harper's Black Saint on 12/29. Took slightly longer than usual to arrive (DG shipping to me has always been fast), but not slow enough to raise any red flags. [Added] But my last Corbett vs. Dempsey order, placed at roughly the same time, was slow to arrive. Still within 2 weeks, however.
  10. +1, emphatically.
  11. Even in the short time I watched (arrived as Ingrid Laubrock was being interviewed after performing) there were several AV dropouts. I've always considered BOAC highly uneven, and wouldn't expect to dig the whole program. I get your point about the long quiet tones. My personal thing is pieces that sound like Morton Feldman (or to a lesser extent, like Cage "number pieces")...nothing against the originals, which I'm very fond of, but please, no more soundalikes.
  12. Thanks! I saw this too late, was only able to catch the last 2 pieces. At least I got to hear the Lucier. I just signed up for BOAC e-mail list (duh, should've done it long ago), so won't get caught out again.
  13. I own one of the Euro RVGs. Didn't know about the copy protection thing, (years ago) bought online the cheapest copy I could find, which was of course that release.
  14. Slightly OT, but has anyone heard any of the Butch Morris Testament collection of "conductions"? Originally a 10-disc box, now sold individually, definitely got my attention.
  15. Strange coincidence, I've recently been considering that set. In the classical area (New World is big on modern American composers), I really enjoy the 3-CD series of Ben Johnston string quartets performed by Kepler Quartet.
  16. That's actually one of the reasons I tried to contact them [Porter Records] in late 2020. E-mailed twice to ask about that offer, twice more to ask whether their online shop was open (wanted to buy some specific items in the catalog). Never got a response, gave up.
  17. I've always (USA) purchased NoBusiness releases through eBay, seller name poligrafovicius iirc. Every time I asked a question or sent a message through eBay, a guy named Valerij (surname Anosov iirc, according to postal return address) responded promptly.
  18. Going to seriously consider this, despite some initial misgivings about vocals and size of box. Parker's well-represented in my collection, but he records so extensively that I haven't kept up with all his releases, just the ones that seem exceptional.
  19. I've listened to / enjoyed the whole box twice, agreed on disc 4 which was an eye-opener. Oppens has also recorded Parchment on this Music & Arts release that I bought back in the mid-'90s:
  20. Thanks. I missed out on the Porter release and don't have a turntable, so will consider the C & D. Speaking of Porter, I e-mailed the label several times in late 2020 but got no response. I'm not sure they're still active.
  21. The Sounds of Liberation with Khan Jamal, Byard Lancaster et al. got my attention. I've purchased several discs from C vs. D but somehow overlooked this. Any good?
  22. I was just going to post... Ordered Thursday night, arrived Monday in upstate NY. Pleasant surprise. And recently (less than a month ago) a 1-CD media mail package from Brooklyn took well over a week to arrive!
  23. +1 on both (emphasis added). I just ordered directly from the label; would rather support them directly than wait in hopes of cheaper offerings.
  24. +1. The Real Thing is where I first heard him.
  25. Just received Rivers vol. 4 (Braids) from NB. Can't listen until after work. [Added] It's good, certainly a worthy addition to the series.
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