chewy-chew-chew-bean-benitez

never saw them but i saw Zawinul syndicate 2 times and it definitely 'went there'...

i got this one dawg!

saw him many times long time ago, RIP

wow

its so awesome. i wonder if all artists got cards

are you the guy who posted the pic of Duke Pearsons business card, that is so rad- i gotta tell my friend who likes DP a whole bunch too abt this..... it can only happen with you is one of the very best sounding lps released by the original blue note records.........

i didnt go but he played here very recently, maybe last spring

ok my final analysis of this lp, is: theres some swingin' candido twds the very end worth the price of admisson. will be kept & filed with the other period Columbia white label promos, if i had to guess, id say....maybe next to Jo Stafford's Greatest Hits. that sounds about right. (catalogue order).

um....i dont wanna freak out on this point, but im 3/4 of the way thru side 1, and this is wayyyy different than classic duke- its totally a concept album, theres narration.....i thought it was going to be: Duke Ellington & His Orch + Candido: swingin duke latin fusion featuring Candido Camero. well its like that but with like a broadway twist. is that the strayhorn input? is this -the only- lp in his cannon like this? it really does flow like a concept album. was there actually a TV b'cast to correspond w/ this, i wasnt clear on that on wikipedia, like i cant find it on youtube. im going to keep it (and pray for some candido solos on side 2) but im going to go back to classic duke: im telling you, he goes back to his classic live thing here: Vancouver 1970. you know whose in the band? Julian Priester. (like about the same time he joined mwandishi) the last recording of johnny hodges i think. before i figured out it was from 1970 i swear i thought it was an aircheck from the 40s, they are swingin that hard on this. ....DRUM gets better 1/2way through side 2.....

big time RIP for him. only saw him one time, finally saw him about 3 yrs ago when they had the JC reunion. 1st im gonna enjoy in full his 1983 lp: gentle fire (mca). then im gonna listen to my autographed copy of Bullitt (world pac). then im gonna LEARN ABOUT HOW HE PLAYED BASS, i really dont know abt that, so yr saying between the JC's in reality its wilton whos the most commercially popular, not joe sample, wilton having apparently jammed the studio bass trk for Jackson 5 "i want you back". wtf. i no nothing abt this. i just know about jazz crusaders, and his awesome solo lps. u know why i dont know abt it i really dont listen to a lot of motown. so i suppose i should of noticed he plays plays on grant green/lighthouse? thats actually pretty unique, theres not a lot of jazz musicians who double on like two totally different instruments, right.

today i rocked jazz on sunset pts 1 & 2 wardell/sonny criss on prestige, ready teddy/rip it up (insane), some private press country from medford, OR, amos milburn- a&m blues

this supplication jam....... https://archive.org/details/gd82-09-14.beyer-sbd.miller.20906.sbeok.shnf

youre set up to play edison discs? i just threw mine out. the lp store would of course offer no credit for em and i *had* to get rid of a *lot* of vinyl (shellac, et al). it wasnt a rare title i dont think. i was planning on googling it but i dont think i did. anyways, i saved other early record, which i did not throw out- on i belive it was called ARC american recording company. it had a very similar logo to that of RCA VICTOR- you know: the dog at the phonograph? well instead of a dog on this one, its an giant indian chief, complete with headress-- they were only around 1904-1906. so its like the blue note records of pre 1910 labels dawg! no i really dont know that. but i saved it. on, + its 11 and a half inches so it doesnt fit in a 10in sleeve and a 12'' sleeves too big-- and it plays at something like 83rpm or some not standard speed like that. man, tommy potters on it---- dont wanna knock the great tal f or the supreme piano master who i saw many times hank jones, but man tommy potter must of been all--..., oh god nevermind. all am saying dawg, is this is what record he was cuttin 6 yrs prior....

forgot: Ascension did not know abt: love supreme session 1

what studio album has shepp + coltrane again?

has anyone heard it, its a jazz version of PICTURES, i guess. bud shank, bill perkins, tommy tedesco, frank capp on drums

has anyone ever actually seen this

-being on w. coast -wcj specific weekly radio show -art farmer/frank morgan at a central ave. arts facility playing six ft in front of me

is this one of the only leftbank releases released back in the day, on vinyl?

met one of his musical directors or main band guys 5 yrs ago he said doc lives in Mexico, like way down there somewhere

i forgot about that album but you are right brubeck did that, but peanuts is really guaraldi territory.i think others have redone them too, i think david benoit did a guarlidi tribute album in the peanuts style, prob others.

I had the one (ST 45) with "elusive Butterfly" on it in my hands once but I had been so disappointed by Lee Morgan's 45 of Midnight Cowboy that I didn't get it. Spooky has love is Blue on the B-side, I don't know if even ST can do much with that... itre- spooky, its a duke pearson arr., right-- it doesnt saw on the jazzdisco pg but i wouldnt be suprised. well blue note was gonna do the midnight cowboy single with or without lee morgan, and im thinking, i think its pretty awesome that blue note went to their #1 trumpet guy for it. it gets poo-pooh'd a lot in the morgan-canon but in one little throwaway single lee morgan sets the stage for "feels so good". i wish it was a whole album! ---- also totally awesome that it is the only recorded collabration of Lee Morgan + Airto!!!