It's an old theme on this board, really. To what extent do the personal lives of musicians bear on the music, and to what extent are they anyone else's business? Those uncomfortable with the thread see it as voyeuristic--oh really, HE was *GAY*?? Wow!--and find that distasteful and--perhaps to coin a new word, "tabloidesque." Others feel that the discussion is itself important to supporting those who have suffered appalling discrimination and may also argue as some have on past threads, that the personal lives and experiences of the musicians help to deepen our understanding of their music. I'm thinking here of past, often heated and controversial, discussions on people like Stan Getz.
It's an interesting conundrum. I find myself caught hopelessly in the middle. I understand the discomfort, but I also can see Chris's point of view as well. I wonder whether it isn't at least somewhat similar to the whole issue of race and much older arguments about how racial discrimination informed the music and how much it mattered that a given musician was or was not African-American. Or not?!
gregmo