gmonahan

Wynton Live at the Village Vanguard, disc one. Found it cheap at a used cd store. Wynton when he was just playing good jazz trumpet in front of a live audience with a good group. No hype and few spoken words, thank God. gregmo

It seems like I heard the same rumors about Buddy Rich's old nightclub in New York. Was it on 33rd street? gregmo

Don't know about that recording, but it definitely happens on Woody Herman's Herd at Monterey recording. I think the plane can actually be heard a couple of times, once during Victor Feldman's vibes solo IIRC (obviously a relatively low volume spot in the program). Tom 1960 is right about the background sounds on Shelly's Black Hawk recordings. But they all seem approriate to the venue. Twilight zone moment--I was listening to this recording when I read this post, John! Happens on track two, "Like Some Blues Man" while the band is in full flight as well as during the vibes solo. Very strange sound! gregmo

Whoa, I looked on the back of my booklet, and I have 0007. I've NEVER had a number in single digits before! gregmo

Thanks Jim. I always wondered who invented music. gregmo

And me. I think I picked up all those old Alamac lps in some rack at a mall. I think it was back in Iowa City, but that was a long time ago in a galaxy far away.... gregmo

And from me too--to a fellow JIP fan! gregmo

Rational, logical, wise. It'll never pass. gregmo

gregmo

That's interesting. I've always wondered if there was ever any kind of manuscript from Desmond's intended autobiography, _How Many Are There in the Quartet?_ Always thought that was a fun title (based on a true story). Desmond was apparently a very funny guy. gregmo

You're the man, Ub. Happy anniversaire! gregmo

This one was reissued on cd on the Ranwood label. Actually, it's not a bad record. Some fair arrangements by Benny Carter, Marty Paich, and Jerry Gray. It is the only album by Lawrence Welk in my collection. gregmo

"Network" truly was a masterpiece, and wow is it timely now. A great director. He'll be missed. gregmo

H.B. A. gregmo

After re-listening to the LP twofer Columbia once released, I have to throw my vote in for this one, too! I'm always up for Mr. Five By Five. gregmo

Actually it probably says "Remastered for Stereo", as do most Prestige fake stereo reissues. This 1956 session was not recorded in stereo. The fact that RVG did the fake stereo remaster is interesting. As fake stereo releases go, these Prestiges aren't so bad - it's just a simple lows on one side, highs on the other, and hitting the mono button (if you've got one) usually can make it listenable. In fact, many of them, even though they claimed to be remastered for stereo, actually play very close to mono. I had a few fake stereo LPs back in my "vinyl days", but hitting the mono button on the system I had back then didn't make them listenable. At best some artefacts remained, for instance something that sounded like phase distortion (for lack of a better description). I was only referring to the Prestige fake stereos. There is more than one process in rechanneling for stereo, and Prestige's method was the least insidious. I'm not saying that combining the two channels is as good as mono, but those of us who came up in the late 60's and early 70's were forced to put up with rechanneling, as these were often the only available sources of the music at the time. I have long since purged all of the rechanneled records from my collection, and I would recommend that new listeners steer clear of them, but they do vary quite a bit - anywhere from reasonably listenable to completely unacceptable. I still have all the old Decca Jazz Heritage series, but I *never* listen to them. (It's a sentimental thing.) I think they were probably the worst examples of reprocessing for stereo I ever heard. gregmo

I've heard that from some others who watched it. I have the feeling it listens far better than it watched! gregmo

I don't think Phil Woods' live 2-lp set "Live at the Showboat" has ever been issued *complete* on cd. There was an abridged version years ago on Novus. I think it's one of his best sets and would consider it something of a classic. Lon's right about the Ellington. gregmo

Me as well. And me. We were soooooo close. gregmo

Scott just told me it would be Ron McMaster. I'll bet you anything it's either Addey or McMaster. gregmo

Right, as usual, Chris. We few, we happy few, are so desperate for some of those cds we'll even put up with those aggravating monthly cards to get them! gregmo

Like everybody else here, it seems, I was a member for a while. I got hold of some old Gryphon stuff that wasn't available anywhere else (Together Again for the Very First Time with Buddy Rich and Mel Torme) and a few mid-60s, early-70s Mainstream cds that they had (by Maynard, the Terry/Brookmeyer Quintet, and Sarah Vaughan). Once I had exhausted that little cache, I quit too. gregmo

I have no problem at all giving props to Frank. Love his compositions, his arrangements, and his playing. He and Wess made a great team in the New Testament band. gregmo

I've always appreciated and enjoyed Frank Foster's playing and arranging. Not sure I'd quite classify him as a "giant." gregmo

Eeeewwwww. gregmo