Guy Berger

IMHO this is a phenomenal album and arguably would have qualified as a classic in any BN era

Yes It may have to do with Cannonball’s playing gaining depth as the 60s went on, but imho this isn’t one of their best albums. If I ranked Cannonball pianists/keyboardists Timmons would be in the bottom half of the list.

It’s a different concert than the ones in the bootleg series and imho a notch above them (though they are all great). Isn’t the item on amazon and Spotify just an unauthorized bootleg? (With wildly incorrect track names....) Why not just download the widely-available recording? BTW I don’t think Felser meant to imply that Tony Williams plays on this recording but... the drummer is Jack DeJohnette

No... the 25 minute length of “Sanctuary” is due to the fact that the track names and timings are wildly incorrect relative to the actual music It’s extremely well documented! There are hours upon hours of concert recordings, albeit not by Columbia

Agree w/Larry. I’d listen to all the Prestige stuff (+ Blue Train) before this, but if you’re hungry for more after that you won’t be disappointed. Love this characterization

He’s on the July 1970 bonus tracks to the CD edition

I love Gary Bartz’s playing with the 1970-71 Miles bands. And he sounds great on the McCoy albums I’ve heard him on, Expansions/Extensions/Asante/Sama Layuca

No topping BACK AT THE CHICKEN SHACK and MIDNIGHT SPECIAL as far as I am concerned, but imho Stanley Turrentine and Kenny Burrell lift it over the top. i find smith’s organ trio albums to be somewhat boring and monochromatic though that is clearly a personal blind spot

This is a really unpersuasive argument 🤷‍♂️

100% agreed

RIP, JohnS.

So horrible. my heart breaks for that dad.

A classic. Among the best jazz of the last 40 years! 🎉🎉🎉

I remember that, it was amusing

Working my way through the Murray Black Saint boxes... “Morning Song” is a really great session! Highly recommended.

1973-74 seems like a good cutoff, btw. Lots of great recordings from afterward, but the "uniformity" that folks often associate with the label start showing up around then and the "freewheelingness" of those early recordings began to fade.

Jarrett seemed fairly upbeat about this music around the time of the Cellar Box release. (In the liner notes? I don't remember.) He would obviously take potshots at it because he can't help himself, but maybe leavened with positive comments. IMHO, one of the best KJ albums on which Dewey Redman is not present

Agreed w/Jim and others that Lloyd’s playing during the 1960s can be ranked as 1962-65>1966>1967>>>>>>1968

Is this from the original recording (soundboard or otherwise), or just a rip of something shared on the site which must not be named?

Have only listened to the 1st Cd so far but the music is really, really good.

One thing I vaguely remember Lewis Porter's book emphasizing is that Coltrane's grandfather was in a mainstream Protestant church (AME), *not* a pentecostal one. Does anyone have the book handy to confirm? Assuming that's correct, it's interesting to think about how Coltrane would have absorbed this influence.

Aren't all the tracks new? [Aside from the original soundtrack within the movie, which very few people appear to have heard or even heard of]

This anecdote about two musicians I have never heard of CHANGES EVERYTHING

This is a bootleg, right? Unless they are paying the licensing fees, I recommend downloading a free copy instead. The Rotterdam concert was the last recording from the Lost Quintet’s fall tour of Europe and IMHO one of the best performances on that tour. Good sound quality for a “bootleg”. Wayne’s solo on “Directions” is phenomenal and “It’s About That Time” has lots of top-tier free improvisation. The tracks are clearly mislabeled or maybe it’s missing some music. The band played “Directions”, “Bitches Brew”, “I Fall in Love too Easily”, “Sanctuary”, “It’s About That Time” and “Masqualero”.

I probably read the phrase "Braxton and Corea don't mix" too strongly...