I've been spending a fair amount of time listening to this over the past few weeks and am not crazy about it, TBH. When I was younger and really into prog rock I probably would have appreciated it more. BTW, I love Weber's two subsequent albums (Yellow Fields and Silent Feet).
Hi all,
I'm going to acquire a copy of Monteverdi's famous Vespers. The two versions I'm considering are:
John Eliot Gardiner w/the English Baroque Soloists and Monteverdi Choir
Andrew Parrott w/the Taverner Consort
I've heard and liked performances from both groups, so I imagine neither would be a mistake, but maybe experts here have a preference?
Sounds good.
It's unfortunate that Wynton & Branford ended up financially sponsored as "young lions" instead of folks like Hemphill, Murray, Blythe, Lake, etc - people who wanted to make music "within the tradition" without simply recreating it.
Am I right to assume these albums are essential? I have Lenox Avenue Breakdown already - are the other 3 equivalent in quality?
Also, what is the James Blood Ulmer reissue mentioned?
I really enjoy the new one. Not quite as good as ToMH or MtB (I haven't heard WWD) but absolutely worth listening to if you like the musicians involved.
3 years later: revisiting this. Nice album.
Are you thinking of the ghostly organ sound on the track? I never really thought of that! But I'm pretty sure the answer is no, LY did not play on that track.
i just had the new one delivered to me - very much looking forward to hearing it though I'm a little sad that Henry doesn't perform on it, I love his playing.
PS Any chance we can merge this with the other, longer Threadgill thread?
I haven't heard ALL of the Savoy recordings yet, but I have listened to about half of them, and second/third the comments made above - they are all worth hearing.
I try to judge ELP fairly. As a band making consistently good music, they were a failure relative to their main peers. But a decent chunk of their music is exciting and/or fun. They were clearly less afraid of embarrassing themselves than Yes, King Crimson or Genesis.
I saw Melissa and the Crash Trio in concert last night. Very impressive player, look forward to hearing how her style evolves. Very cerebral and not-showy, reminded me of Mark Turner.
But this is BS, right? Iyer has quite obviously connected with his audience, an audience that enjoys his music and is probably larger than that of musicians currently replicating Webster's sound.