Dub Modal

The Razor and Tie sets 🙃 Yeah, need that bill that forces these companies to pay consumers for the data they monetize to happen at some point. Will be shocked if it ever happens though.

Thanks for the leads 👍

Oh man, a deep dive into his catalog is what I need. Prob not this week but in the near future. I don't have a lot of his albums - maybe even just the Golden Circle set...I'll have to check. I definitely enjoy those btw. Reminds me of a record store visit I had a few years ago. Another customer brought up the Shape Of Jazz to Come for purchase and the store owner said, "Great album! The rest of his work is pure shit but this is a great one. Nice choice!" I laughed. That store owner is a dick btw. Golden Circle though. You don't like those?

VMP would sell out of a vinyl set of this in pre-order. They'd use original album art as well.

I picked up Standards a couple of years ago and it wasn’t easy to find then. Kind of a weird choice for Mosaic but it’s their business. Glad some are preordering.

What is the goal of this critique? Is it a plea for players to create a new style, or to revert to older styles of expression and playing? Or for a hybrid of sorts?

ok, I have those then. Sweet! I’ll pass on this set then. I agree with this post too. I dig that Time album and always thought he does sound a bit Bud-ish on this one.

The Quintets album is one I don't have in this bunch. Japan only for all prior releases which is interesting. Why is that? Does anyone know? Also titled Cool Struttin' Vol 2. Kind of an oddity it seems.

Nice! Glad you enjoyed it 👍

Thanks @webbcity And the Le Rex album is $5 this weekend at Bandcamp. Well worth the price. The label, Cuneiform, does a $5 album every week btw.

Surround fan here and I’m not really sure why it fell out of favor overall. I’m guessing the hassle of setting up multiple speakers which could require some drilling etc to hide wires was just too much for the majority of consumers. But I don’t know for sure.

Finally watched Tar. Tour de force from Blanchett. Makes me want to completely avoid classical music for a while though lol.

I’m going to revisit for sure. First listens to new music can be the equivalent of the neck pour of whisky. Never trust your first impression 100%.

Man that review skewers Byrd, his Mizell albums, Larry Mizell himself and a few others along with the American record buying public in just a few paragraphs. Seething misanthropy can be fun to read and this author laid it down thick.

Really started enjoying this BFT at track 3. There wasn’t anything I didn’t like after that one and some interesting ones like the last song. No guesses, but great vibes from these.

Very cool radio shows. Thanks for the links

Great Mosaic idea! It’s not the best live recording so that may have something to do with it. Very welcome and thanks for giving a listen. No worries about no response!

The artist may secretly loathe jazz

Colachup…when you’re in need of more ways to develop diabetes 👍

I wish he was coming somewhere close to me. Would love to catch one of those shows. Glad he’s able to get out there regardless.

Only nine tracks in this BFT because the selections were pretty long. Glad most of it was enjoyed. I definitely had fun putting this together. Let's get to it: Track One - Le Rex - Alimentation Generale - Escape of the Fire Ants 2019 (written by Stucki) AS - Benedikt Reising D - Rico Baumann TS - Marc Stucki Tr - Andreas Tschopp Tu - Marc Unternahrer Blind buy of an album I ended up enjoying and glad some of yall did too. This was my favorite tune from the record. I agree with comments that Stucki was the standout here and well, it's his tune so that makes sense. Track Two - Anthony Braxton, Composition No. 40B - Six Compositions: Quartet 1981 (written by Braxton) AS - Anthony Braxton Bass - Mark Helias D - Edward Blackwell P - Anthony Davis A few guesses for Ed Blackwell on track 7, but here he is. I actually preferred Composition No. 40A from this record, but this one was shorter and fit the CD's time restrictions. As @felser noted, Braxton's playing could be described as frantic here but I enjoy that component here, and think it plays well with the tight rhythm section. Track Three - David Torn - Transmit Regardless - Prezens 2005 (Ensemble) AS - Tim Berne D - Tom Rainey Rhodes/Hammond/Mellotron/Bent Circuits - Craig Taborn G - David Torn I thought a few more would have guessed Berne here like @mjzee. I waffled a bit on whether to include this and then where to place it because it's so far outside of the other songs here. Then I read the song title again and took it to heart - Transmit Regardless. The soundscape that Prezens creates is an entire sphere for everything else to breathe within, with the ensemble traversing over the topography of this little sonic world. Maybe that comes across as too artsy and it probably is, but I don't mean to say this can't be enjoyed viscerally. The original hype sticker said this album is a "tapestry" and maybe that's a better way to describe what Torn is creating. This song stood out among the others though, so I wanted to share it here even though it's obviously not to everyone's preference. Track Four - Hank Mobley - Feelin' Folksy - The Flip 1969 (Released in '70, written by Mobley) B - Alby Cullaz D - Philly Joe P - Vince Benedetti TS - Hank Mobley Tb - Slide Hampton Tr - Dizzy Reece I think this is a massively underrated Mobley album, so much so that without Mosaic doing the 60s Mobley set I may have never bought it separately. That would have been my loss. Check the line up. Once you get the title track out of the way (although @Dan Gould digs it!), one gets to some excellent songs. It was Dizzy's solo on this made me sit up and take notice at first. Then after a few listens it all came home for me. Track Five - Steve Lacy 5 - Stamps (Live) - Blinks...Zurich Live 1983 (composed by Steve Lacy) B - Jean-Jacques Avenel Percussion - Oliver Johnson Ss - Steve Lacy AS - Steve Potts Cello - Irene Aebi Recent CD purchase and the whole thing grabbed me from the get go. Time factors affected this selection but it's still a damn good song. As @tkeith notes, the listening here from everyone involved is masterful. Track Six - Charles McPherson - BeBop to HipHop - Illusions in Blue 1990, live from a night club in La Jolla, CA; possibly composed by McPherson B - Jeffrey Littleton D - Chuck McPherson (Charles Jr) P - Randy Porter AS - Charles McPherson For some reason, this song isn't listed on the discogs page and the CD cover is different. This selection was one of my favorites from this 1990 live date (and bonus not to include announcements of song/personnel for the BFT) where I think Charles is playing incredibly well. I purchased direct from Charles' web store: https://charlesmcpherson.com/store/ Track Seven - Philly Joe Jones - Jim's Jewel - Philly Mignon 1977 (written by Charles Brown Sr., arranged by Philly Joe) B - Ron Carter Cornet - Nat Adderley D - Philly Joe Ss - Ira Sullivan Big names on what I think is an almost unknown or maybe forgotten album. My favorite track from it, the off kilter melody was unexpected but fit this Charles Brown composition so well. Philly Joe looks like a boss on this cover photo as well. Track Eight- Myra Melford Extended Ensemble - Evening Might Still - Even the Sounds Shine 1996 (composed by Melford) Cl - Marty Ehrlich B - Lindsey Horner D - Reggie Nicholson P - Myra Melford Tr - Dave Douglas Ehrlich hooked me and I had to include this one because this is a serious jam. Glad most enjoyed it too. The whole album is excellent IMO. Track Nine - Augustus Pablo - Song of the East - The Red Sea (composed by A. Pablo) B - Aston Barrett or Val Douglas D - Carlton Barrett or Mikey Richards G - Alva Lewis, Mikey Chung, or Ranny Williams Tr - Bobby Ellis TS - Tommy McCook Tb - Vin Gordon Keyboards - Geoffrey Chung, Glen Adams, Lloyd Charmers Melodica - A. Pablo Percussion - Sticky Thompson I almost didn't include this one either, but I've been listening to a lot of Pablo lately and thought what the hell. Pablo is a remarkable guy. Dealt with Myasthenia Gravis his whole life even though it was never diagnosed until decades after he'd been suffering with it. Took initiative and carved out his own Rockers sound among the world music capital of Kingston, JA and became a legend worldwide. He was gifted a melodica by a friend and taught himself to play it, ending up getting called to record by Herman Chin-Loy of Aquarius & Randy's studios. Those early sessions are on this comp and this little groove stands out. It's so raw and loose but the drive is palpable.

Not KG but someone who was around and playing when Cannonball was... And 7 has Ron Carter on bass but it's not his date. The other guys aren't there though. I'll be interested in anyone's thoughts on the album this came from. I suspect it's been under the radar for a long time - or maybe never on the radar? Thanks for giving an ear and glad you dug it!

Reveal will be posted tomorrow AM. Thanks again!

I think all of these albums stream so I’ll skip the box. And George Adams doesn’t bother me at all. As for Taylor Swift, her last 2 albums are really good pop records. She has some updated 80s inspired synth elements that are perfect if you like that sort of thing.

Another oversight on my part. The Flip was recorded in Paris so that makes total sense.