ghost of miles

Starting this one—looks promising. Anybody on the board cracked it yet?

👍

Inspired by a couple of listener requests today for my afternoon show. "Other" can represent either pre-1956, or a different configuration of Coltrane's career on record that isn't included in the list of choices that I compiled.

One of the albums that I inevitably revisit every 1-2 years (I’m sure other board members have similar album predilections):

The Martian has landed! 20-year-old Jasson Dominguez clubs a HR off future Hall of Famer Justin Verlander on his very first MLB swing: So great that his family was there to see it. Jsngry, we’ll try to knock off Houston a couple more times on behalf of your Rangers.

Attending a free outdoor showing of Jazz on a Summer’s Day this evening in Bloomington.

This one was pretty much my introduction to both Dameron and Navarro when it came out in 1995: … may have to throw this one on as well, which came out the same year. Even though Mosaic’s 8-CD Lester set supersedes it, I’ve held on to it for sentimental reasons:

NY Times live updates on Hurricane Idalia Fingers crossed for all board members and Floridians in general.

I come back to this one every 1-2 years. Only recently have begun to more deeply appreciate how much they influenced Paul Westerberg and the Replacements. (Westerberg actually attended their final concert in Minneapolis, Minnesota in November 1975, when he was a teenager.)

I remember how jazzed I was to discover there was an additional trove of Blanton-Webster era Ellington band recordings:

Paging Jim Duckworth, paging Jim Duckworth… I might have to set aside a chunk of my 2024 tax refund for this one. Thanks for the heads-up. Went ahead and pre-ordered. Even with shipping costs from Europe, it was much cheaper than Amazon’s current listed price.

Yes--received it for a recent donation to the L.A. Jazz Institute, along with this one:

… featuring Arno Marsh on “Scrapple From The Apple”! Also that cover subtitle: “… the *infamous* marathon Sunday jam sessions.” 😂

I picked this one up as well as the Silver Collection years ago precisely because that’s about all of the Harry James MGM you’re going to find on CD—domestically speaking, anyway. (Not sure if more has been reissued in Japan or elsewhere.) I once asked either Michael or Scott at Mosaic about the possibility of a James MGM set. They agreed that it was an excellent band, but that such a set was unlikely. Not sure how well that James/Krupa Capitol set sold, but that might have been the rationale for their hesitancy re a James MGM collection. Per the thread topic and speaking of Bill Finegan, don’t sleep on Tommy Dorsey’s late-1940s postwar big band. This Bluebird compilation, with notes by Loren Schoenberg, provides a good overview: Tommy Dorsey: The Postwar Era There are a couple of Hep CDs that document this period as well.

I modified my post to say “likely won’t pitch again till 2025,” since it’s quite possible that this injury means he’ll have to undergo a second TJS. A Twitter commenter pointed out that Ohtani on the mound has been about as good in 2023 as Gerrit Cole, who’s among the front-runners for the AL Cy Young… and then throw in Ohtani’s hitting stats for good measure: Ohtani 10-5 3.14 ERA 167 K 1.06 WHIP Cole 10-4 3.03 ERA 170 K 1.07 WHIP Ohtani 44 HRs .304 / .405 / .664 / 1.069

Ohtani has a torn UCL and likely won’t pitch again till 2025. End of the unicorn show for now, at least.

Lots of Barry Keiner to be heard on this new release:

Clearing the decks to read John Szwed’s new biography of Harry Smith:

Great series. I have the Ellington (which includes some live 1941 broadcasts iirc), the Shaw, and the Goodman.

Double-LP and immersive mix version on the way, plus a roundup of some reviews: Patois Records and the Buselli-Wallarab Jazz Orchestra together announce the release of a premium Dolby Atmos immersive mix version of the critically acclaimed The Gennett Suite on September 1, 2023 through Apple Music. This will be followed by a double LP vinyl version of the recording later this fall. Celebrating the full circle of recording technology from the inception of the legendary Gennett Records in the early 1900s to the present, both versions of the recording will be available along with artwork chronicling the history of how early jazz greats such as Louis Armstrong, Jelly Roll Morton, and Bix Beiderbecke created their music on the Gennett label. “The immersive mixes will make you feel like the orchestra is playing a private concert just for you as you sit amongst the ensemble hearing the 13 horns clearly and separately surrounding you in 360 degrees. It allows you to experience the complex and detailed harmonies and the beautiful tones of each of the musicians. Many immersive mixes utilize the format for tricks and gimmicks, but Jazz is a natural fit for this relatively new way to experience music.” – Mixing Engineer Jacob Belser “The Gennett Suite is a reaffirmation of jazz and how its living spirit continues to inspire us.” – Wayne Wallace, Patois Records The Gennett Suite will be available to stream in Dolby Atmos on Apple Music with compatible equipment. See https://www.dolby.com/experience/music/#gref for details on how to listen. The album, featuring the Buselli-Wallarab Jazz Orchestra and released on CD/digital June 9, 2023 via Patois Records, has earned broad critical acclaim: ★★★★★ “A brilliant tribute to a founding studio of 1920s jazz… What stands out immediately on first listen, is the sophistication and arrangements of the classic tunes of this period. I would compare the quality to early Duke Ellington… Much like Duke, Brent writes to the strengths of his soloists. Recorded in August, 2022, in Bloomington, Indiana, in pristine acoustics, this is early jazz music to treasure.” —Jeff Krow, Audiophile Audition ★★★★1/2 “This ambitious piece is named for Gennett Records, who played a crucial role in jazz history 100 years ago. With the highest production values in every stage, this one is a must for devotees of contemporary big band jazz. — Duck Baker, Absolute Sound ★★★★★ “…the music has the feel of America, the twenty-first century reaching back and shaking hands with the early-twentieth, taking the artists’ relatively primitive recordings—state of the art for their times—and inviting them into the present, with gorgeous harmonies and luxuriant arrangements. The Gennett Suite: a distinctly American masterpiece.” – Dan McClenaghan, All About Jazz ★★★★ “The Gennett Suite by the Buselli/Wallarab Orchestra, in which Brent Wallarab reimagines century-old themes like “Tin Roof Blues”, “Riverboat Shuffle”, “Davenport Blues” and six others into a contemporary suite. Like Gil Evans and Henry Threadgill before him, he intends neither an earnest repertory-style duplicate nor a cartoonish, cut-and-paste mockery of 1920s pop culture. Using a stylish modernism, he dresses them in a 21st-century context so we can hear them played with care for fresh ears in today’s terms. For those who’ve let their homework slide on the early jazz songbook, there’s a richly appointed 68-page booklet to provide a scrim of antiquity. — John McDonough, DownBeat ★★★★ “Mark Buselli and Brent Wallarab have taken this important music and refashioned it for their sumptuous big band….Vivid arrangements and stunning soloists swingingly submerge the listener in the seismic 1920s, making them seem as fresh as the 2020s — fresher, perhaps…. Let this lovely album clean out your 21st- century ears, then blow the dust off the originals and play them too.” – Chris Pearson, The Times, London