Heard The Passion of Charlie Parker on a long flight home - was intrigued because at the time there was no information available about who was playing ... but played it right through anyway and I was, well, perplexed but basically found it interesting and, dare I say it, moving. Unlike JSngry, I find rhythm sections who continually fool with time irritating in the extreme - and here so often they almost seemed to have something going (swinging in 4/4) which could have pushed the tenor (McCaslin) into something significant, only to quickly drop it for something else - and the tenor responded accordingly and the opportunity was missed. But, McCaslin is a hell of a player who is all over the horn - a lot of legato chromatic playing - he sounds like Warne Marsh in the upper register and has a remarkable tone - almost phosphorescent (?) which greatly adds to the overall atmosphere. Rhythmically he has it covered but occasionally breaks up his flow with corny marching band type nonsense. The vocals/ vocal passages are very hip and perhaps capture something of Bird's scene. I dislike fusion intensely but this is not that simplistic. It's a unique workout on Bird's tunes and lifestyle that manages to capture something pretty profound - for all the wrong reasons (from my viewpoint).