Agree with that - weren't he and Paul Chambers cousins? There is some (family) resemblance in their playing ... both playing / pushing right on top of the beat ...
What this album really needed was for Clifford to take solo choruses - his playing, exquisite as it is, is limited to "melody and embellishment", yet he was one of the great improvisors!
More Clifford would certainly have relieved the "tedium" of Hefti's charts.
Seems like a lost opportunity to me ...
Dot Time also put out a CD "Lennie Tristano - The Duo Sessions" a year or so ago - previously unreleased tracks of Lennie with Lennie Popkin, Connie Crothers and Roger Mancuso. Carol Tristano wrote the liners and Lennie Popkin was also involved in the production. So there's a connection ...
Murakami has a short story on Bird, which is not really sci-fi, but then again, maybe it is. Anyway it’s great, and you can read the whole thing here – it’s short, naturally.
Charlie Parker Plays Bossa Nova: Haruki Murakami
https://penangholiaw.blogspot.com/2020/06/charlie-parker-plays-bossa-nova-by.html
Beautiful - Mulligan, Zoot, Al Cohn, Lee, Allen Eager + Freddie Green (!), Henry Grimes, Dave Bailey play Mulligan arranged by Bill Holman.
Allen's short, dark alto solo on 'Revelation' always kills me ....
Well, I read somewhere that Lennie could play the accordion, and as "Blue Velvet" was recorded in Chicago there could be a connection. However he was most probably in New York at that time. Billy Bauer did mention Lennie liked to drive, but it's unlikely he would make it as far as Chicago in one piece. Still, one never knows ... he was remarkable in many ways.
I agree the accordion on "Blue Velvet" is very nice - as is the piano.
Stan had his own movie: “Bound to be Heard” – music by Dee Barton
Opening Sequence
https://www.youtube.com/watch?v=B3Uypdf-BIU
Clip featuring Dick Shearer on trombone (among others)
https://www.youtube.com/watch?v=03Q_DAypxdU