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Posted

188576.JPG

whoa....

forgot about that one.

Just now discovering Cage's early works. Have to admit, I'm more than a little stunned at the visceralness of them, how rhythmically driven they are. The "connections" I get to things from 20-30 years later (from Cecil - 88 tuned drums, indeed) to Max's melodic drum solos to Herbie's electronic music to Brian Wilson's drugged-out deadened piano & reverbs to the AACM's "space" pieces, and that's just for starters) are really startling to confront, to say nothing of the impact of the music strictly as its own self.

Are there any more empathetic performances of this material that those of Kirtsein here? Hard for me to imagine that there are, but I don't know enough to imagine that with any true confidence.

Posted

Gustafsson_SweedishAzz.jpg

AZZ APPEAL - Swedish Azz - Not Two LP.

Like this group more each time I hear them. Plus they put on a terrific concert this year in Philadelphia, which I was fortunate to catch.

Posted (edited)

Ken Colyer's Jazzmen----Watch that dirty tone of yours... There are ladies present!---------(Joy)

Joyful set despite lots of light scratches. Clearly enjoyed by its previous owner.

Edited by Clunky
Posted

'Mel Lewis & Friends' (A&M Horizon)

CV13248.jpg

Great swinging band with Hank Jones in his usual immaculate form.

Yes, I like that one. Come to think of it, I've never heard a dull session under Mel's name - have you?

Posted

Sorry, Stockhausen - Momente, the Nonesuch issue of the Wergo LP. The copy I got has too much surface noise, and I'm generally pretty workaroundsih about dealing with that. Can't do it with this one, though, just too much.

Martina Arroyo, though - damn. The whole ensemble, for that matter. Damn. Sometimes you hear records of "this type thing" from this time/place and it's like...they're not really getting it, are they (just got done with a Penderecki from 1967(?) on EMI that really felt like that), but no such concerns here. All in, already.

Posted

Don't know if I can tell if it's arroyo's voice per se that I like so much on the Stockhausen thing as it is the sheer confidence with which she asserts herself in every passage, but that recommendation looks interesting, and will be filed away as a future get. Thanks.

Posted

Drifting further - if you like Arroyo's voice, check out this:

51JPycFzNNL._SX425_.jpg

Maybe I shouldn't admit this, but the version of Barber's Adagio for Strings on this album made me cry when I heard it in a record store about 15 years ago. Of course I bought the CD, even though I already had two or three versions of the piece on CDs.

Posted

Sorry, Stockhausen - Momente, the Nonesuch issue of the Wergo LP. The copy I got has too much surface noise, and I'm generally pretty workaroundsih about dealing with that. Can't do it with this one, though, just too much.

Martina Arroyo, though - damn. The whole ensemble, for that matter. Damn. Sometimes you hear records of "this type thing" from this time/place and it's like...they're not really getting it, are they (just got done with a Penderecki from 1967(?) on EMI that really felt like that), but no such concerns here. All in, already.

I really like that version of Momente. It has a liveliness to it that I find lacking in the "Europa Version 1972".

Posted

'Mel Lewis & Friends' (A&M Horizon)

CV13248.jpg

Great swinging band with Hank Jones in his usual immaculate form.

Yes, I like that one. Come to think of it, I've never heard a dull session under Mel's name - have you?

Can't think of any..

Posted

15962-enter.jpg

ENTER - Fire Orchestra - Rune Grammofon 2LP

3 vocalists singing together and separately against a humongous free orchestra. The LP labels are a solid color with no markings; give the impression that the LP is not moving, which can be a bit dicy when puttering around the TT. You're also not going to be able to refer to Side A or C or whatever; since none of them are marked, one can assume they can be played in any order.

Posted

15962-enter.jpg

ENTER - Fire Orchestra - Rune Grammofon 2LP

3 vocalists singing together and separately against a humongous free orchestra. The LP labels are a solid color with no markings; give the impression that the LP is not moving, which can be a bit dicy when puttering around the TT. You're also not going to be able to refer to Side A or C or whatever; since none of them are marked, one can assume they can be played in any order.

Any good or chaotic mess. I rather liked Exit .

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