Chuck Nessa

That image of Shepp was taken by Bill Abernathy at the Down Beat Jazz Festival when Archie was playing with John Coltrane. I was at the performance and selected that photo for the cover.

Mine says Livraison prévue entre le 1 mars et le 3 mars

For me the "quote function" is messed up. I was trying to quote the previous message. I wanted to say 32 Jazz issued a double with Fast Last and Rope-a-Dope. I think Camden issued the same material along with the Bobo Shaw/Bowie session in England.

Has this been mentioned? I don't remember a cd. Back on an earlier page someone mentioned Bobby Naughton's "The Haunt" (with Perry Robinson and Wadada). Bobby told me this will be issued on cd by Nobusiness with a bonus track.

Tonight it is Atomic at Constellation

Not to mention Untied Artists.

Buyers beware - this series was issued on the Kaz label in England, the material is the same, but the volume numbers are not.

Saw him a few times and the first time he offered to break my arm. :-)

As someone who has done work with RVG, he had his own version of the "sound". I had some conversations with him about the differences between BN, Savoy, Prestige and Impulse. Rudy said each customer adjusted his basic sound to their taste. He was a very bright guy with his own ideas. He found his "soul mate" with Al Lion. Sorting out the the best late stage RVG masterings is confusing, but many of them are wonderful.

I can find a reason to buy almost any Ellington recording. I have kept 100+ lps and about 8 feet of cds.

I was offered a deal last year from a UK firm - I send them about 500 cds, I pay the freight, I get paid $5 each, 90 days after they sell them. I would grant them exclusivity, Welcome to the music biz!

Orkhestra in France and Jazz Messengers in Spain will have it soon.

Derek Taylor weighs in: http://dustedmagazine.tumblr.com/post/170650657907/roscoe-mitchell-and-mtao-ride-the-wind-nessa

Fascinating recording:

Urbie Green, Sal Salvador & Lou Mecca.

Nicely done.

Is compact Bird like pressed duck?

Sorry, the wavering pitch requires more concentration than I have at this point in my life.

Larry's comprehension ain't bothered by glass.

My thought too.

I love the Jones set.

First one. I even had a '70s reprint with the red ink.

As an owner of a recording company, I might suggest delays at the pressing plant or delays of payment of bills. Neither is a case for worry for a music company. Sit back, sip some wine and be rewarded in the end.

Maybe not an a "European tour" but he was in Paris in '54. Just don't want confusion.

My attention was caught on the cusp of the '60s with Columbia's Henderson, Bailey, Holiday and Ellington boxes, but their first was: