But, I just checked the Amazon listing and there's a five star review describing as 'indispensable' from a certain Allen Lowe 😄
Synopsis makes it sound fascinating
Richer Sounds, where I bought it and it was under warranty. Diagnosed and repaired in an hour so just reinstalled it.
Audio Gold has a very good reputation though I've not used them
https://audiogold.co.uk/
Mine has just arrived today but my turntable is going in for repair. I have it's predecessor set up as a substitute but it's no way as good.
I will be listening to Pharaoh imagining what it will sound like on the better deck!
Well I'm finding the discussion fascinating and educative. I have nothing to offer to the discussion because I know so little (Black Sabbath aside).
But obviously respect others might have a different opinion.
Keep going folks. And it has prompted me to finally order a copy of 'Deviln' Tune'
A bit lapsed perhaps but they meant an awful lot to me in my teenage years and I absolutely recognise their historic importance.
And given @Rabshakeh's response,
"What is this that stands before me?"
I'd hazard a guess, another one
Separate thread required. Heavy Metal is a modern genre even in its earliest manifestations. Or maybe that view is a product of my age.
And, everyone knows it was born in London via Birmingham on 16th October 1969 😄
Not sure that 'driving' is the point of NiS, for the horns or the kit. I saw them with Evan Parker and it was sublime, hypnotic and deliberately without peaks. It's all about the repitition.
Break A Vase ep.28, ep.27 beforehand
https://www.mixcloud.com/AlexanderHawkinsMusic/break-a-vase-episode-28/
Just realised that might be the one Wilson I'm missing. Need to check that.
About time she had a new release, it feels
Xhosa Cole Quartet - K(no)w Them, K(no)w Us [Stoney Lane Records, UK 2021]
I like this more evrey time I play it. More straightahead than many of his contemporaries' recordings. Will be seeing him in an improv quartet at Cafe Oto soon