John L

Bird is one case where also having the alternates makes a lot of sense. Bird makes different takes sound very different. I also enjoy very much hearing Bird do successive takes of the same track in a row. For example, it is extremely rewarding to move with Bird as he spontaneously composes Bird of Paradise through three takes starting with All the Things You Are.

One of the reasons why Rocket 88 gets so much attention was an accident. One of the amplifiers blew out and created an unexpected distortion in the bass, which sounded like....Rock and Roll, or at least different than the song that they based it on: Jimmy Liggins' Cadillac Boogie.

Thanks, Allen. I'm certainly intrigued enough to keep listening to him.

I personally have the three discs that Lon posted above on Jazz Unlimited. But I assume that the newer set is the same, maybe with better sound.

This is a great set indeed. If you have the Mosaic Decca All Stars box, that doesn't do it justice at all, even though all of the studio tracks are there. You need the 3-disc set with the original ordering and the narration.

Sad news. RIP

Damn! RIP

Happy to help!

Wow, I didn't realize that the bluenote board archives still exist.

That was one of the very first books that I read about the Blues, and I still consider it to be one of the best. I PMed you.

Luckily, I have everything ripped and don't play CDs much anymore. But this is still a problem. If I had everything is alphabetical order, I could find stuff a lot better. Instead, I have this fetish of having everything in complicated suborders that approximate the chronological, stylistic, and geographic significance of each artist. I have no trouble locating my CDs of major artists who made lots of them (in my collection). But it is the more obscure artists, or artists for whom I have few CDs, that can be hard to locate.

Very sad to hear this. RIP Ebo Taylor.

I just re-listened to the first recording. While sound is indeed terrible at the very beginning, it gets significantly better. Loud audience voices are the primary distraction. The music is fantastic.

Thanks, Romualdo! I actually downloaded at lot of that first session somewhere online. I can't remember where. I don't have any of the second session, where I presume the pending Giant Steps and Satellite are coming from.

Yes, and now we need Mosaic to come along and do the exact same thing that they did for the Dean Beneditti recordings!

The Sparks Brothers first recorded it in the 1930s under its current title. Memphis Slim reworked it somewhat, although he called the song "Nobody Loves Me."

Yes, there is one on YouTube. Somehow I missed it.

Actually, my reaction was just the opposite. Holy shit!! As far as I know, there have so far been no known Coltrane live recordings of either of those two songs. Am I wrong?

Yea, it took me a long time to get through it. But, as Jim says, it does have value. A lot of work and research went into it.

It's about time, isn't it?

I am one of those Grateful Dead fans who usually felt lukewarm toward Weir's contributions. But I know now that I used to underappreciate him. His counterpoint was often a valuable complement to Jerry Garcia's playing and Sugar Magnolia is a damn good song. RIP

RIP. I remember him from the time I was living in Paris. Thanks for posting.

I also joined in March, 2003. Some of us go back not only to the Blue Note Board and Jazz Corner, but to Jazz Central Station before that from the mid-1990s.

I think it is crazy that most AI programs will have it spit complete bullshit before ever admitting that it doesn't know the answer to any question. .

Very sad. RIP