An example from Fremaux's policy is this indication from vol. 1:
"Several double takes and pieces in which the star cornetist's presence is too discret have been deliberatedly omitted. Three takes were made of 'How Come You Do Me...' and although the second and third ones are extremely rare, their variations are minimal except for Louis intervention. We have regrouped some extracts on CD 3, track 18. We have, however, retained the entire first take (CD3, Take 17).