jazzbo

All I remember are those endless transcriptions of Trane soli (or is that someone else?0. . .and him feeling that he was ripped off by Weather Report, that he should have gotten lots of glory out of his time with them.

Hmmm. . . and I can honestly say that I like the stuff with Jack and Airto better than with Chancler and Mtume. To each their own!

kh is telling you true.

That's correct. I confess I've had this music for some time. To me the answer to "how often would I dip into these six discs" can already be made: often enough. And Guy is also correct that I have other recordings of this band (some with Jack, some with Ndugu).

I still don't have the Big Beat. I don't think the Village Vanguard RVG is the cat's meow... I don't think this is one of the great sounding source recordings. I just think myself that it is not worth buying three Japanese cds for a possible, and I do mean possible, sonic benefit. . . . Me, I'm happy enough with the RVG.

I don't know. . . rolling over? Probably too much effort!

I think there must be system differences at play ultimately in what we choose as the best sounding releases. I rarely spend the dollars for EMI Japan products now as I find that the US releases of Addey and RVG remasterings sound better to me on my system. I'm very happy with the RVG of this title; it is so much better than the US version that preceded it. I don't think I've heard Japanese versions and am not losing sleep over that.

Many more happy ones you young fart!

I'm very grateful to Bob Belden for working so hard and tenaciously to get this out!

All those years in Europe. . . . What do you think Dexter would have been like in the final decade and a half or so of his career had he stayed in the States all those years? Do you think a bit of laissez faire that I think is at the heart of his work was amplified by being the celebrated jazz guy in the jazz houses and cafes of Europe. . . ? Would his approach and work have been altered had he been in the US scene all that time instead?

I think it's a douible edged sword in a way. . . the repretoire and the manners of the traditional jazz singer may be getting tired, but there's a sense among some of the market that "this is what jazz vocals are." And yet there are those who do other repretoire like Norah and Madeline and Cassandra.. . and they get lumped into jazz vocal status. ..that sometimes I think they aren't necessarily. Or maybe I've had one too many chocolate squares and I don't know what I'm trying to say. I miss Carmen McRae and Betty Carter. Talk about authority!

Mine arrived today as well. I like the boolket more than I thought I would. I love this music. I love the Jarrett performances here. The Bartz. The Henderson bass and DeJohnettes hihats and that fat-sounding bass drum. These tracks just really unlock some inner spring and unravels it. I definitely don't think this would be the same, and not better, with Hancock at the keys! Jarrett is just really breathing fire into the band.

Rupe, you're in for a fun discovery/adventure. I love the Chicago and NYC periods of Ra; the Evidence reissue series is a great one.

Well, that J J set falls right in there with what you like! I prefer it to the Stitt box myself. . . . More variety. Plus Elvin and Jaspar and Adderley (Nat). But the Stitt is a good set too.

I listened to this again this weekend. I would in no way consider the sound of the piano to be harsh. Everything is very smooth and resonant. The piano plays very softly in some parts; dynamics are well presented on this session. The bass drum and tamborine sound really nice with the room reflections. . . . I think there's something amiss with your version. . . I can't imagine my copy sounding as you describe it. I forgot what track had those "ghost bass notes," but regardless I didn't notice any. . . .

The Herb Geller Sextet has made it to cd . . . . It's great stuff!

I don't know about the clubs, but Hank Jones, Wendell Marshall and Kenny Clarke recorded a trio lp for Savoy the afternoon I was born!

Here in the US. . .

Dex took a long time to get under my skin. . . but he did. I'm not going to peel back any layers and dig him out. I've got a ton of his work. . . I only have about half his Prestige titles. . . which puts me in a perilous position regarding his box set. . . . I've resisted getting the set for a while now. Favorites of mine . . . well. . . I kindof like them all equally. .. I may have a favoritism going for "Takin' Off". . . .

I have it. . . It will come out again, patience. . . .

Possibly mine too!

I really like this. You have to love piano . . . but I'm in that batch. Some of this material won't likely appear outside this set for some time. The best of it has (to my ears and tastes, the Wilson and the Jamal).

Wow. Mediocre. Not liking Jarrett. I am so not in either place! But I can dig it (I think). Yeah. . . media mail sucks. . . but first class/Priority is as good as UPS in our area and the mailmen aren't overtly racist and controlfreaks. I choose USPS when I can.