This is interesting:
"To cite just one example, the poll results for organ appearing in the August 25, 1966 issue of Downbeat has Count Basie and Clare Fischer listed. At present, the year 2000, it is safe to say that Count Basie's work in the oeuvre of organ playing, with all due respect to his other achievements, is nothing more than a triviality, and perhaps just a way the record companies were cashing in on Basie's name with the popularity of the organ in that era. Likewise with Fischer, whose work on organ is now also considered an anomaly. Though this may actually have no bearing on why he is there, it is notable that Fischer is the only white artist on the list.[202] Today, neither of them is considered to be influential in any way in terms of the development of the style and it is rare for them to be even mentioned when speaking of jazz organ among aficionados. At the time, Patton mentions, "I'd never even heard Clare Fischer play organ," and of Basie, that it was a conversation piece among organists, but not something that was taken seriously among him and his peers. And yet, because it was Basie, it automatically garnered more attention because of the politics involved with Basie's legendary status (albeit in other fields). "You know, those guys [people like Basie and Fischer], they couldn't get the whole thing going. They didn't attack that bass line like we [the "real" organists] did, that was a whole other thing."