I've been to the Austin Record Convention nearly every time it's appeared in the last decade. It's becoming less and less of an important event each time, sad to say. . . .
I can definitely understand being very interested in vinyl, I'm just not. I find that it's a rare system that can be set up for easy and optimal use for both digital and vinyl, and I have so much digital that I've moved my system to optimize that. I think I now have over 15,000 cd discs. I'm committed to digital.
It's interesting that I've heard several different people explain what Mosaic is about. From this page there are these statements from Cuscuna himself: http://www.mosaicrecords.com/story.asp
"I wanted to do definitive, complete box sets that would bring out unissued material, correct mistakes on past reissues and draw a whole body of work together with a serious, deluxe, booklet."
"As serious collectors and lovers of the music, Charlie (Charles Lourie) and I hope to assemble packages that all collectors and serious students of jazz will find valuable. That is one reason why we strive to make every set complete within its own scope. This not only brings unissued material to light, but eliminates the need the have music stretched over scattered albums of varying quality in an incoherent form that makes intelligent listening difficult. The Mulligan set is a classic example. In order to have the 49 issued from our set, one would have to own 10 different albums, most of them very rare and many having duplication of tunes."
I think both of these quotes show that the MJQ set falls right in line with Mosaic's aims. I like MJQ more than you, I get it, and we all have different tastes and wants. However I think this set IS a boon to jazz collectors. Though there has been an MJQ box set, this Atlantic material has never been assembled this way.