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Posted
1 minute ago, Teasing the Korean said:

I'm revisiting his 70s albums, at least the ones that we own.  I'm most familiar with the 80s Frank trilogy on Island.

I know them all up to the end of that trilogy, then I stopped being so attentive

Posted (edited)
22 minutes ago, Teasing the Korean said:

Yeah, I kind of checked out around then, too.  Not sure why.

One album I need is Blue Valentine.  I love that tune "Kentucky Avenue."

That's probably my favourite of them all. 'Christmas from a hooker in Minneapolis' is genius, pure Waits.

I think I began to lose interest because the rock element began to predominate a bit more.

Edited by mjazzg
Posted
16 hours ago, JSngry said:

His 1987 Blue Note record is quite accessible and quite perfect, imo! 

https://www.discogs.com/release/4842203-James-Blood-Ulmer-America-Do-You-Remember-The-Love

 

Rough Trade in the UK released James Blood Ulmer’s  ‘Are you glad to be in America’ on 7” in 1980. 7” releases on RT had been of a punky persuasion prior to that so this release was v progressive. Was very trendy at the time, I recall. 
 

Anthony

London

Posted
42 minutes ago, adh1907 said:

Rough Trade in the UK released James Blood Ulmer’s  ‘Are you glad to be in America’ on 7” in 1980. 7” releases on RT had been of a punky persuasion prior to that so this release was v progressive. Was very trendy at the time, I recall. 
 

Anthony

London

I remember that too. The Blood Ulmer album of the time was often found amongst post-punk collections

Posted
45 minutes ago, adh1907 said:

Rough Trade in the UK released James Blood Ulmer’s  ‘Are you glad to be in America’ on 7” in 1980. 7” releases on RT had been of a punky persuasion prior to that so this release was v progressive. Was very trendy at the time, I recall. 
 

Anthony

London

I bought the Rough Trade LP when it came out. The buzz was hot and there was no indication that American labels were going to put it out. The whole "No Wave" scene was pretty fringey to begin with, and Ulmer was in on it pretty much because he was there, if you know what I mean. Barriers were being disregarded, Venn Diagrams were expanding, interesting possibilities were beginning to form. 

The Rough Trade mix is still my preferred, have the punch and jab of it's time. But it's a good record in any mix 

Posted
1 hour ago, JSngry said:

I bought the Rough Trade LP when it came out. The buzz was hot and there was no indication that American labels were going to put it out. The whole "No Wave" scene was pretty fringey to begin with, and Ulmer was in on it pretty much because he was there, if you know what I mean. Barriers were being disregarded, Venn Diagrams were expanding, interesting possibilities were beginning to form. 

The Rough Trade mix is still my preferred, have the punch and jab of it's time. But it's a good record in any mix 

Interesting. In the Uk the no wave thing wasn’t that popular so Blood Ulmer was marketed by Rough Trade as punk funk, slotting in with other UK bands of the time like A Certain Ratio, Pigbag, Pop Group, Rip Rig and Panic. Powerful record and a great picture sleeve on the Rough Trade single. Which I would post but I can’t seem to get round the size restrictions on this site. 

Posted

One circle of the Venn would be Prime Time. The other would be James Chance/White. Blood was the intersection, in terms of audiences here.

A very interesting time! 

Posted (edited)

Supposedly, the reason that hardcore band Black Flag had such weird / terrible guitar solos on their later records is because guitarist Greg Ginn was obsessed with playing in a ‘harmolodic’ style.

As a kid I couldn’t understand what that meant because I assumed harmolodic referred to the more familiar style of Coleman’s acoustic Atlantic era. It was only after I had heard Ulmer and the Decoding Society etc that I realised what Ginn thought he was referring to. 

Of course, Ginn never did get there. 

Edited by Rabshakeh
Posted

Morning listening, inspired by the above:

PXL_20230806_064317986.jpg.a7bc53e059c068708fbd3bf261477a5c.jpg

On a different note, guitarist Vernon Reid was for a long time the best thing about the late Twitter. A huge musical brain, very generous and ecumenical, without losing his conscious sense of what he was doing.

Posted
9 hours ago, Rabshakeh said:

Morning listening, inspired by the above:

PXL_20230806_064317986.jpg.a7bc53e059c068708fbd3bf261477a5c.jpg

On a different note, guitarist Vernon Reid was for a long time the best thing about the late Twitter. A huge musical brain, very generous and ecumenical, without losing his conscious sense of what he was doing.

Yes, I followed him; interesting fellow. I heard him live once with Ronald Shannon Jackson.

Posted

Johnny Hodges & Earl Hines - Stride Right (Verve). An original RVG pressing for $4 at Princeton Record Exchange. I'm digging this one. Notthing earth-shattering but fun swinging Jazz. I'm very glad I picked this one up. I wonder how Richard Davis ended up playing bass on this date?

image.jpeg.bcba8c1a0ea8e71348ea76c71e4e2882.jpeg

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