Rooster_Ties Posted 11 hours ago Report Posted 11 hours ago 48 minutes ago, JSngry said: 1976. Think about that. Those might be THE most whack examples of cover art in the entire ‘legit’ Miles catalog. Quote
mjzee Posted 10 hours ago Report Posted 10 hours ago Currently available for pre-order through Amazon: https://www.amazon.com/Complete-Plugged-Nickel-Live-1965/dp/B0FT7CWYF7/ Quote
JSngry Posted 10 hours ago Report Posted 10 hours ago 53 minutes ago, Rooster_Ties said: Those might be THE most whack examples of cover art in the entire ‘legit’ Miles catalog. 1976 and American Columbia wasn't interested for a while. There was no Second Great Quintet yet. Quote
Rooster_Ties Posted 10 hours ago Report Posted 10 hours ago 5 minutes ago, JSngry said: 1976 and American Columbia wasn't interested for a while. There was no Second Great Quintet yet. Oh, right — those were Japanese only too. Quote
Holy Ghost Posted 10 hours ago Report Posted 10 hours ago Maybe I'm in the minority, but the 70+ mins single cd Columbia sampler they released of the Plugged Nickel, did it for me. Quote
Guy Berger Posted 9 hours ago Report Posted 9 hours ago Imho the 1965 Plugged Nickel recordings, while wonderful, are inferior in musical quality to the 1967 live recordings from Newport and Europe. My guess is their reputation is largely based on the fact that for a long time they (and Miles in Berlin) were the only widely circulating live recordings of this quintet. Quote
jazzbo Posted 4 hours ago Report Posted 4 hours ago I have the repress of the Japanese set on gold disc. IMO it sounds better than the US cd set, and the Tower Records SACD set sounds a bit better than the Japanese. The edits really don't bother me. Quote
Kevin Bresnahan Posted 1 hour ago Report Posted 1 hour ago According to Sony's marketing blurb, "This new 10LP edition mirrors the original sequence, cut from the high-res Mosaic masters". Mosaic was AAA by this time, so this doesn't make sense. I asked Scott Wenzel (via Facebook) if maybe the analog master tape they gave them to use for their LP set was digitally mastered and he said, "I'm not sure exactly how it was transferred and restored, only that, yes, we used analog masters". So if Sony gave them an analog master tape created from a digital mix, they weren't above board with Mosaic. Considering Sony did the same thing to Mobile Fidelity albeit at a much larger scale, I wouldn't be surprised. FWIW, he also implied that Mosaic would have liked to have been involved with this repress of their 10 LP set but that Sony isn't allowing them to license anything at this time. Quote
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