Chuck Nessa

Gee, I guess I don't know what I was talking about.

I love checking in (once in a while) on Georgia's thread. Nice.

Burt Nurny Fred Nurdley Chris Albertson

That would be the mastering, not the pressings.

I'd dump my landline but my office is in the basement and reception is worse than spotty.

Last play of the Detroit victory the announcer said "He sticks it right into his young tight end". Sums up a bunch right there.

No editor, so they seem to be going away.

Still watching the screen of my lovely iMac. Ann will call for dinner in a few minutes and we will watch Is Anybody There.

When I was in school he seemed to be on every 10th lp I bought.

Have no fear.

I have the cd and enjoy it a bunch after 3 plays. Play it loud.

Klu was one of my idols as a kid. Big arms.

yup

Very nice, short review on Chris Kelsey's blog HERE.

Wrong. This was corrected in the box. That was my point.

As far as I know, the only speed corrected version of the early Roost masters is in the Blue Note box unless one of the EU companies copied those masters.

I bought the European Windows lp when released and thought it sounded like clever mood music. The record is long gone.

Von addresses this with typical modesty in the Pekar piece Paps mentions above: When I asked Freeman about his influence on younger Chicago tenormen, such as Griffin, Gilmore and Jordan, he mentioned that their similarity probably had to do with all studying under Dyett. “Captain Dyett was one of a kind. He was everyone’s surrogate father".

He does not seem to know Olé was recorded in the middle of sessions for the first Impulse record (Africa/Brass) and this was seven months after his previous Atlantic sessions.

They are also on Young and Foolish, originally on Daybreak vinyl and now on Challenge.

For what album(s)? He wrote notes for the recently reissued Spirit Catcher by Wadada Leo Smith.