Jamal's latest, with Reginald, Veal, Herlin Riley, and Monolo Badrena. Bought it for Riley in the first place, who does not disappoint. I must admit I like Jamal's 1950's and 1960's playing best - there is a little too much focus on the piano, although there is plenty of interaction. Maybe it's the recording balance ...
This was recommended to me by an old friend - one sassy, sexy album, looking back to the 1960's but very contemporary, the band grooves like mad.