felser

And the day job funds the research! I know the drill well!

The 50's and 60's are crying out for the same exercise!

Never heard of this but looks great, thx!

Great group. Litherland, to me, was a better singer than either Greenslade or (shudder) Farlowe, though Clempson was a more remarkable guitar player than Litherland. How's the sound quality? I know that musically, a lot of Montreux recordings have magic.

I ended up selling it. Yessongs is good enough for me.

Thanks for the heads up, I did not know about that newly released BBC set! Ordered it immediately.

Also Billy Root, and later in the decade, Bootsie Barnes and Larry McKenna.

And his second mistake was "singing".

Mosaic can't just do what they did 30 years ago and expect the same results. When those BN sets (Blakey, Larry Young, McLean, etc.) were coming out, that was the only way to acquire that music on CD. Since then, just about all of the titles have been released on individual CD's. Same with things like the Columbia Woody Shaw (and the CBS box set greatly trumped the Mosaic in material with the extra disc, price, sound quality, and to me, presentation), the RCA Desmond, etc.

Highlight the link with your cursor, click on the "link" icon (to the left of the " icon), and put in what you want to display in the "link text" box.

I'm 68. My first Mosaic Purchase was the Tina Brooks LP set ca. 1985 when I was 30 (and what a miracle that seemed to be at the time, as did all of their early box sets). My last box set purchase from them was the Clifford Jordan Strata-East in 2013. My last purchase any kind from them was the Charles Tolliver All-Stars/Paper Man Mosaic Singles CD in 2019, when I was 64. So no idea how to fill out the survey.

1 – Very pretty. Great tone for the tenor sax. 2 – I don’t want to like this, but I do like it. Reminds me feel-wise of some of the Airto Moreira stuff from the 70’s, though it is less organic. 3 – Brother Big Al, you’ve been into one relaxed musical groove this past decade! What’s not to like about this one? Wouldn’t mind owning it if I don’t already. Like this one a lot. 4 – No no no no no! I don’t do steel drums! I guess I’d describe this one as “jaunty” but if it wasn’t so short, I’d be hitting the skip button. 60’s vintage kitsch? TTK might love it, but he doesn’t do BFT’s. Could be from a soundtrack to some forgotten movie of that era. Vinyl source! 5 – Also not for me, older style for both front line and rhythm section. Pleasant, but not anything I would want to hear again for any reason. Again, glad it’s short. 6 – Pass. Outside the domain of my listening. 7 - Tried it, no can do. 8 – Not for me. Has artistic value, just not in any of my grooves of choice. 9 – Better, but this strikes me as easy listening, not jazz. Guitar has a nice tone. 10 – Futuristic! Tenor can play. Late 70’s/early 80’s? I do like it, though won’t be rushing out to buy it. 11 – Works for me. Late 70’s CTI-ish groove to it, though could be later. Not earlier. I’ll look into this one along with #3. 12 – Sounds like Michael Brecker at his most annoying to me, but can’t think of him recording with vibes. I like the vibes and the bass, but the tenor largely kills the track for me. Still interested to find out what it is. Someone like Dave Samuels on vibes? 13 – Like this one a lot. Guessing it is the organist’s album, but I could be wrong. Guessing 70’s vintage. Looking forward to ID on this, and hoping I already own it. If not, will look into it along with tracks 3 and 11 14 – I know this one, my favorite organist of all time, and my favorite album by him! Of course I own it! And the tenor player is obvious! Fascinating name juxtaposition of the horn player names 😊. Last cut from this great album . Big Al, great to have you back on board! Thanks for the BFT! Looking forward to the reveals on many of the tracks, and to see how some of the tracks are received by others!

Good, not great. Bobby Watson, Ari Brown, James Williams, etc., but the whole is less than the sum of the parts (or maybe I'm just jaded after 50 years of listening).

My experience with them is that most backorders don't get filled, but some do. I wouldn't base an order with them on backordered items, but would certainly add them to an order I was otherwise going to make anyways. Everything else about them is first rate, and their prices (even with shipping, as long as you make a sizeable order) for Japanese-issued jazz CD's are phenomenal compared to US sources.

It does (or at least did) sometimes, hence the famous Epic/Atlantic Graham Nash (Hollies to CSN) for Richie Furay (Buffalo Springfield to Poco) negotiated trade of 1969. Maybe jazz was different under Columbia.

Mahavishnu Orchestra, Dreams.

I don't think that I can take it 'Cause it took so long to bake it And I'll never have that recipe again

Theories on possibly how so? They were all signed to Columbia at the time in one form or another.

Hard to imagine why there's never been a domestic US release of this one in any form.

Congratulations!