clifford_thornton

wonder if the Chambers session was even a complete date? i.e., 3 tracks and maybe some false starts/unusable takes.

Have the LT cover of Sonic Boom too. It is a very good record at least.

yeah, just enough to hear it once, probably.

I assume that at some point it'll get posted to YouTube so we can hear it. I don't need to suffer through Chris Botti covering Lee in order to hear this material.

Ira Sullivan and Nicky Hill? I'm in. Oh wait, it's only available in a boxed set with stuff I either have or don't want? Annoying.

wonderful album, too

Rib Crib takes the cake for me as far as those Palms. just finished: Karin Krog: Different Days, Different Ways (Philips, JP orig) Swell album, builds on some of the music she did as part of the 1969 Baden-Baden New Jazz Meeting.

Never really liked that session but part of that is surely the fact that the original Palm pressing is fairly noisy. With cleaned up audio my opinion might change.

hopefully Dan is doing okay; I recall that he was in Florida. heck, I'd love to hear the Migliori just to know what it sounds like. Was Kevin Baconahan able to make contact with Baker?

was finally able to get beyond the paywall to read this. Bleak.

Yeah, that Owen Maercks record is awesome. He's quite a heavy record collector indeed.

how about an album cover with the artist holding up the previous version's cover art (same album)?

Albert Ayler -- My Name Is Albert Ayler -- (Fontana, NL)

looks beautiful!

good old fashioned tap water

yeah, always thought that Perkins LP on Riverside/ABC was a weird one, existence-wise. Nice album though!

I will definitely be grabbing both.

Yeah, it must've been recorded but whether the tapes with the remainder of the set survive is anyone's guess.

that could certainly be true.

Thank you Steve! For once, the poster jpeg came through correctly.

I assume they're deletions/cut-outs. Honestly surprised Delmark has kept going after Koester's death and in the current market.

Really? I like the Blue Note and Prestige albums, but put them in a different bucket than the soundtracks. His film scoring is pretty excellent (and I have not seen The Intruder Within).

It gives me great pleasure to announce the second/final show of the Fall season of "So, What Do You Think?" at Tubby's in Kingston, New York on Sunday November 10, 2024: A night of solos and duos with bassist Brandon Lopez and saxophonist Steve Baczkowski in support of their forthcoming duo CD on Relative Pitch, a follow-up to last year's Matanzas (Lopez Trio feat. Baczkowski and Gerald Cleaver). I first Saw Lopez around 2013, taking things apart and putting them back together with a level of commitment that is infrequent; this was in the days of backroom gigs at the Manhattan Inn in Greenpoint, all much to the bewilderment of trust-fund onlookers. He was clearly someone to keep an eye on and I am glad to have witnessed his deep, unflagging motion ever since. His work as a grab-you-by-your-throat soloist is not without a lot of space and attuned listening; I was reminded of the first time I heard Béb Guerin take a solo on record, masterful, gutsy, and capital-R Romantic but also inventively kicking ass. Baczkowski is someone I have listened to and greatly enjoyed on recordings but not seen much in person so I'm extra pumped for the experience. Time: doors 7 hit at 8 Cost: $20 doors or $15 advance (advance tix help us gauge the evening, so buy early and often if you plan on attending) & remember all funds go to the artists! flyer remix by d.norsen -- words boosted from elsewhere below -- Brandon Lopez and Steve Baczkowski met at the fabled center for improvised and strange music in Buffalo, Hallwalls Contemporary Arts. Quick friends, they decided to test the musical waters of the Brooklyn underground. A year later, they gave a brutal performance at the Exposure Festival in Chicago, wowing listeners and critics in a show of sonic brutality not entirely devoid of tenderness. "There are musicians who leverage their instrument’s conventional vocabulary to create works of art, and then there’s Brandon Lopez." -- Dusted Magazine "undeniably bad assed, precisely executed and lucidly organized" -- The Wire Improviser/Composer Brandon A. Lopez was born and raised in Northwestern New Jersey and it was there that he cultivated a taste for left-of-center musics and subsequently dug graves. He’s had the pleasure of working with many of the world’s vanguard musicians and artists including jaimie branch, Rob Brown, Gerald Cleaver, Whit Dickey, Michael Foster, Ingrid Laubrock, Cecilia Lopez, Joe McPhee, Mat Maneri, Fred Moten, William Parker, Tom Rainey, Tomeka Reid, Dave Rempis, Matthew Shipp, Nate Wooley, and has toured and played prestigious halls, DIY basements, and festivals all across North America and the European Continent. In addition to numerous ensemble meetings and recordings he frequently plays solo and has released two unaccompanied contrabass CDs on the Astral Spirits and Tao Forms labels. He attended New England Conservatory and has received awards and fellowships through Issue Project Room, the Robert D. Bielecki Foundation, the Doris Duke Charitable Trust, NYSCA, and Roulette. An interview/statement with Brandon can be read here: https://soundamerican.org/issues/thirtieth/brandon-lopez and another good one is here: https://www.wfae.org/arts-culture/2023-09-22/jazz-bassist-reshaping-the-sound-of-the-instrument Steve Baczkowski is an improviser, saxophonist, and multi-wind instrumentalist. Baczkowski began playing alto saxophone at age eight and switched to baritone by the time he was twelve. He studied music in high school at Buffalo Academy for Visual and Performing Arts and went on to studies in music, saxophone performance, literature, and ethnomusicology at the State University of New York at Buffalo from 1994 to 1999. In 1999, Baczkowski became the music director of Hallwalls Contemporary Arts Center in Buffalo, N.Y, where he has since produced and presented hundreds of concerts of contemporary music as well as numerous community-based artist residencies. His collaborators in addition to Lopez and Gerald Cleaver have included Tony Conrad, Chris Corsano, Paul Flaherty, Dredd Foole, Adam Lane, Bill Nace, Ravi Padmanabha, Rey Scott, and the groups Buffalo Suicide Prevention Unit and Buffalo Jazz Octet. This will be a fantastic evening and I really look forward to seeing you there. Pass the word to a friend. Stay well & healthy, Clifford

+1

Sweet band! Have a great hit, folks!