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    2. organissimo - The Band Discussion

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  2. Music Discussion

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    2. Artists

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    3. Audio Talk

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    4. Blindfold Test

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    5. Classical Discussion

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    6. Discography

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    8. Jazz Radio & Podcasts

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    9. Live Shows & Festivals

      Hip fellow board members to upcoming concerts...

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    10. Mosaic and other box sets...

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    11. Miscellaneous Music

      Miscellaneous music discussion area.

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    12. Musician's Forum

      A forum for other musicians to share information.

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    13. New Releases

      Discuss new releases from various labels.

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    14. Offering and Looking For...

      Trade, sell, swap, recordings with fellow members.

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    15. Recommendations

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    16. Re-issues

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    17. The Vinyl Frontier

      All things related to the long-lived analog marvel!

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  3. General Discussion

    1. Hammond Zone

      General discussion about all things Hammond organ!

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    2. Miscellaneous - Non-Political

      NO religious or political discussion will be tolerated.

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  • Posts

    • I've been working on the cues for the new documentary, musical interludes to be inserted into the film. This is called Do Not Go Gentle Into that Operating Room; me on tenor, Ethan Kogan drums, Colson Jimenez bass.  All freely improvised:  
    • I got this after reading this review:  https://thebluemoment.com/2026/03/31/alto-voices-art-pepper-karsten-vogel/. Glad i did, but that is weird about Al Neil.   Also I just noticed that there is a ninth number on disc three not listed on the cd, the the box, or the envelope for the disc. 
    • Tax week hint for those still sleuthing: Track 3: I don't know of any specific Ayler connection but the comparison, or rather inspiration by, seems right. If you have ears for this song to listen again, see if you can pick out the folk forms this sax player is incorporating. It took me a few times but once I picked up on that, the full spectrum of their playing came into much better focus. It's not just angry. There's a lot of different emotions being expressed, and passionately at that. Anyway, I think the folk forms are pretty specific in terms of origin, and if you get them you'll probably get the "where." And then it's probably only a matter of time.  Tracks 6 & 9 also not ID'd. Hints on those later if they don't get ID'd. 
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