_forumlogo.png.a607ef20a6e0c299ab2aa6443aa1f32e.png)
Forums
-
About organissimo...
-
- 809
- posts
-
- 5.3k
- posts
-
- 28.2k
- posts
-
-
Music Discussion
-
- 6.6k
- posts
-
- 167.1k
- posts
-
- 20.7k
- posts
-
- 26.6k
- posts
-
- 36.9k
- posts
-
- 38k
- posts
-
- 44.7k
- posts
-
- 14.4k
- posts
-
- 32.3k
- posts
-
- 73.8k
- posts
-
- 297k
- posts
-
- 13.8k
- posts
-
- 46.9k
- posts
-
- 39.9k
- posts
-
- 70.6k
- posts
-
- 68.8k
- posts
-
- 78.9k
- posts
-
-
General Discussion
-
- 5.1k
- posts
-
- 351.5k
- posts
-
-
Who's Online 9 Members, 0 Anonymous, 381 Guests (See full list)
-
Forum Statistics
70.7k
Total Topics1.6m
Total Posts -
Member Statistics
9,226
Total Members2,298
Most Online
-
Topics
-
-
Posts
-
-
I'm not even talking about the digital signal. What happens after that is often different, power supplies, wiring, connecting hardware. I could go on, but I'm not going to continue arguing with you about audio matters. I don't agree with a lot of your "insights," you seem to belittle the experiences of those who do hear differences, vive la difference. Hear what you want to or not hear what you want to. I know what I hear and trust it. I gave the recommendation/opinion the OP asked for. -
Since Parker's been ID'd on #9, it's track #79 here. Nice choice! I actually own this (as part of the box set), but it'd never have occurred to me. Parker is one of my reflex guesses on BFTs, but not for shakuhachi. The saxophonist on #3 is interesting. Kaoru Abe and Akira Sakata are the only Japanese skronkmeisters I'm familiar with, but I was sure they weren't involved. Will have to research Kawashima! -
By Kevin Bresnahan · Posted
I get what you're saying about power supplies & noise but again, a regular CD player would have to be terribly designed and manufactured for that to slip into a commercial product. I've yet to hear one with an audible (noisy) analog output. But if we're talking about frequency response... to change the frequency response of an analog waveform coming out of a DAC, millions of 1's & 0's would have to change, not just a few hundred. Digital audio just doesn't work that way. Every 22 picoseconds, the audio is sampled and a 16 bit word is created for that small slice of audio. Just this one 16 bit word would have to radically change for the audio output frequency to change. To have a whole passage of music have altered frequency response, every single 16 bit word, one after the other, would have to change in the exact same way to have the analog output to have a shifted frequency response. -
-
