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    2. organissimo - The Band Discussion

      Discuss the group, organissimo! The group's music, CDs, gigs, the three members, etc.

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  2. Music Discussion

    1. Album Of The Week

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    2. Artists

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    3. Audio Talk

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    4. Blindfold Test

      Another fine Organissimo tradition!

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    5. Classical Discussion

      Self-explanatory...

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    6. Discography

      Artist discography questions and answers.

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    8. Jazz Radio & Podcasts

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    9. Live Shows & Festivals

      Hip fellow board members to upcoming concerts...

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    10. Mosaic and other box sets...

      All things dealing with box sets.

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    11. Miscellaneous Music

      Miscellaneous music discussion area.

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    12. Musician's Forum

      A forum for other musicians to share information.

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    13. New Releases

      Discuss new releases from various labels.

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    14. Offering and Looking For...

      Trade, sell, swap, recordings with fellow members.

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    15. Recommendations

      Suggest recordings to your fellow board (bored?) members...

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    16. Re-issues

      Discuss the current crop of re-issues hitting the market.

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    17. The Vinyl Frontier

      All things related to the long-lived analog marvel!

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  3. General Discussion

    1. Hammond Zone

      General discussion about all things Hammond organ!

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    2. Miscellaneous - Non-Political

      NO religious or political discussion will be tolerated.

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  • Topics

  • Posts

    • Here's a suite of the score Schifrin wrote for the Exorcist, that was turned down by Friedkin. Lalo called it a setup by Friedkin, because the studio told Friedkin that the score                   and the scenes in the trailer were too much for audiences. It was scaring the hell out of them, and they told Friedkin to tell Schifrin to tone the score down a lot. But Friedkin, being the weirdo that he was, refused to tell Schifrin that the score was too bombastic, and at the final studio recording, he led Schifrin into a trap where the executives heard the same music from the trailer. Friedkin walked out of the recording studio after a few music sequences, and told Schifrin to meet him privately in the head of the Warner Bros. Music Dept. Schifrin was hearing plenty of horror stories about what was going on- Friedkin's temper tantrums, dismissing friendly advice, firing his collaborators, etc... "He started to scream, foam was coming out of his mouth. "Where are the two orchestras of strings? This is not what we talked about! This music is not going to be in my film!!" he told Schifrin. Lalo could see that WF was out of control, and there was no reasoning with him, so he remained quiet to avoid a physical confrontation. Larry Marks, who was the head of the Music Dept., told LS that WF had already had a group in mind, Tubular Bells- and the help of a composer, Jack Nitzsche. William Blatty cake to LS' defense and made public declarations to the press, and the fired ex-film editor confirmed Blatty's comments about the setup. All Friedkin could respond with was that LS had written a score with "Mexican Maracas"!   From LS' Autobiography.  
    • Well, they had people like George Barrow, Charlie Fowlkes in the band, and I forget the rhythm section, but the conductor/pianist knew what he wanted, and told them how to play her show.
    • I'm listening to these guys for the first time in a LONG time. I forgot how great their song are. On one hand they're LA Punk 80s-90s, but on the other they're talented musicians with extremely well rehearsed vocal harmonies. On top of that, their singer, Greg Gaffin has a (copied from Wikipedia): "BA Biology, BS Geology and master's in Geology at UCLA. In 2003 he went on to earn his PhD in Zoology from Cornell University" Now playing:
    • Plus they actually COULD play R&B?
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