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By david weiss · Posted
This is a favorite of mine and always has been. I've had all the previous single releases of this material and have the 3 CD complete set bootleg of this material now. In fact, I ordered the 3 CD set off Amazon and sent it to Zev when he was looking for more Rollins to release that Sonny might approve of and I suggested this stuff so Sonny could, at the very least, be properly compensated for the release of this material. In the end, I was not involved in this release at all but early on, I was told that they found a few of the original sources of some of the recordings in various radio archives but not all of them. If Bernie Grundman was involved in the mastering, I have no doubt this material is now sounding about as good as it can possibly sound. I've done a few projects with Bernie and enjoyed working with him immensely and thought his work to be pretty impeccable. -
Reminds me of .... : https://tokyotoilet.jp/en/ https://www.theguardian.com/world/2024/mar/09/tokyo-toilet-tour-japan-wim-wenders-film-perfect-days
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By david weiss · Posted
Sounds like you are listening to the Sonny Rollins in Holland release. The live in studio radio broadcast from that set does suffer from heavy reverb that to me, make it very hard to listen to. with all the advances in recording technology, the one thing that still has not been invented yet (as far as I know), is the ability to remove reverb, real or manufactured, from a recording. I've had heard all these recordings that are on this new release before and none of the struck me as having too much reverb but I have not heard the Resonance release. -
Maxim Vengerov is outstanding here ....
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I saw the Neil Swainson Quartet at the Rex. He was here 4 nights, but I only managed to get out tonight, and only for the second set. But it was still quite nice. The Rex was packed. In general, it's been quite busy on Friday and Sat. for the 8:30 and 10 pm sets, which is quite good news for them. I do wish they managed to bring in more out-of-town artists, but that's fairly rare. My copy of that live Woody Shaw set, Vim 'N' Vigor, showed up, so I brought it in and had Swainson sign it. He said no one had contacted him and certainly not gotten him a copy or paid him anything. I said I could try to bring him a burned copy the next time he plays the Rex, which should be in June.
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