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    2. organissimo - The Band Discussion

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  2. Music Discussion

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    2. Artists

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    3. Audio Talk

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    4. Blindfold Test

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    5. Classical Discussion

      Self-explanatory...

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    6. Discography

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    8. Jazz Radio & Podcasts

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    9. Live Shows & Festivals

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    10. Mosaic and other box sets...

      All things dealing with box sets.

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    11. Miscellaneous Music

      Miscellaneous music discussion area.

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    12. Musician's Forum

      A forum for other musicians to share information.

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    13. New Releases

      Discuss new releases from various labels.

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    14. Offering and Looking For...

      Trade, sell, swap, recordings with fellow members.

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    15. Recommendations

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    16. Re-issues

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    17. The Vinyl Frontier

      All things related to the long-lived analog marvel!

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  3. General Discussion

    1. Hammond Zone

      General discussion about all things Hammond organ!

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    2. Miscellaneous - Non-Political

      NO religious or political discussion will be tolerated.

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  • Topics

  • Posts

    • I'm a big fan of Kikuchi, but no way am I in on 6 CDs worth of electronics. If samples are available and impress, I could see going for one or two.
    • Ariel Bart - After Silence (self-released) Not your usual trio date: Ariel Bart (chromatic harmonica), Talia Erdal (cello) and Arseny Rykov (piano). The  young Israeli who now lives in Berlin penned all the tracks of her third studio album. Wonderful music and surely one of the most remarkable albums I´ve heard in years. 
    • 1. Scope of This Document  This file brings together all source-based information concerning the documented and semi-documented intersections between Don Cherry and Cecil Taylor during the Candid period. Only material directly relevant to Cherry, Taylor, and the lost Candid project is included.    2. DownBeat Yearbook 1972  Buell Neidlinger briefly mentions an episode involving Don Cherry during the early 1960s Candid period. While not describing a recording, the testimony indicates Cherry’s presence around Taylor’s circle and aligns with later accounts.    3. Cadence Magazine, Vol. 12, No. 6 (June 1986)  In this interview, conducted by Bob Rusch, Neidlinger recalls Cherry’s involvement in a New York R’n’B session. Although not directly tied to Taylor, it reinforces Cherry’s proximity to the same musical environment active during the Candid years.    4. Cadence Magazine, Vol. 23, No. 10 (October 1997)  This interview contains the most significant testimony regarding a planned Cherry–Taylor collaboration. Neidlinger states that he organized a recording session with Cecil Taylor, that Don Cherry attended all rehearsals and was expected to be the trumpeter, and that Cherry withdrew on the eve of the session after Ornette Coleman warned him that participating would jeopardize his position in Ornette’s band.    5. The Question of Actual Musical Encounters  No verified recording or documented performance confirms that Cherry and Taylor ever played together. Neidlinger’s 1997 account shows that a collaboration was planned and nearly realized. Other musicians have hinted at informal encounters, but no primary source has been verified.    6. Current Assessment  There is no evidence of a completed Candid recording involving both Cherry and Taylor. The testimonies from 1972, 1986, and 1997 help reconstruct the environment in which such a project could have occurred. The 1997 interview provides the strongest indication of a near-collaboration. Further archival research may clarify whether any rehearsal tapes or documentation survive.
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